| Description |
1 online resource (1 score (xviii, 132 pages, 8 pages of plates)) : facsimiles. |
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notated music ntm rdacontent |
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computer c rdamedia |
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online resource cr rdacarrier |
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score rdafnm |
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mixed chorus SSATB 1 continuo double bass lcmpt |
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mixed chorus SSSATB 1 continuo double bass lcmpt |
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mixed chorus SATB 1 continuo double bass lcmpt |
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mixed chorus SAB 1 mixed chorus SAT 1 continuo organ 2 lcmpt |
| Series |
Recent researches in the music of the Baroque Era ; 200 |
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Recent researches in Music Online, 2577-4573 |
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Recent researches in the music of the Baroque Era ; 200.
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Recent researches in music online. 2577-4573
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| Note |
The 1st work for SSATB (no. 1-5) or SSSATB (no. 6) with continuo (double bass); 2nd-4th works for SATB with continuo (double bass); 5th work for 2 mixed choruses (SAB, SAT) with continuo (organ). |
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Figured bass unrealized. |
| Language |
Latin, Greek, and Hebrew words; also printed separately as text with English translations on pages xvi-xviii. Biographical, historical, and critical notes in English. |
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Staff notation. |
| Note |
Edited from manuscripts in the Royal College of Music, the Westminster Abbey Library, and other repositories. |
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Score and performance parts are available separately from the publisher. |
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Includes introduction and critical report. |
| Summary |
"Francesco Maria Barsanti (ca.1690-1775) was born in Lucca but worked for most of his career in England and Scotland. During his time in London, Barsanti was increasingly drawn, as a copyist and as a composer (the first activity acting as a vehicle for the second), into the cult of "ancient" music, as represented by the Academy of Ancient Music, of which he probably became a member, and the Madrigal Society, which he joined in 1759. The culmination of this involvement was the publication of his Sei antifone, Op. 5 (ca.1760), a collection of neo-Palestrinian motets for five and six voices (with instrumental bass support) that are far more "antique" in style than the normal stile antico product of the time. Intended for concert or recreational rather than liturgical use, they were well regarded in their time. This is the first modern edition of opus 5 (together with four miscellaneous motets), noteworthy for a highly original and distinctive musical language." -- Provided by publisher. |
| Note |
Online resource (A-R Editions, viewed October 29, 2018). |
| Bibliography |
Includes bibliographical references. |
| Contents |
Sei antifone : op. 5. Ne reminiscaris Domine delicta nostra ; Asperges me Domine hysopo ; Agios o Theos ; De profundis clamavi ad te ; Lauda Jerusalem Dominum ; Inter iniquos projecerunt me -- Miscellaneous motets. La-menatztzea al-tashet mizmor le-Asaf shir ; O salutaris hostia ; Christus factus est ; Laudate Dominum omnes gentes. |
| Subject |
Motets.
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Choruses, Sacred (Mixed voices)
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Motets.
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Chœurs sacrés (Voix mixtes)
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Motets
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Choruses, Sacred (Mixed voices)
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| Genre/Form |
Motets
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Sacred music
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Scores
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Motets.
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Sacred music.
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Scores.
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Motets.
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Musique sacrée.
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Partitions (Musique)
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| Added Author |
Cameron, Jasmin Melissa, editor.
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Container of (work): Barsanti, Francesco, approximately 1690-1775.
Antifone.
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Container of (work): Barsanti, Francesco, approximately 1690-1775.
La-menatztzea al-tashet mizmor le-Asaf shir.
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Container of (work): Barsanti, Francesco, approximately 1690-1775.
O salutaris hostia.
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Container of (work): Barsanti, Francesco, approximately 1690-1775.
Christus factus est.
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Container of (work): Barsanti, Francesco, approximately 1690-1775.
Laudate Dominum omnes gentes.
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| Other Form: |
Print version: Barsanti, Francesco, approximately 1690-1775. Motets. Sacred vocal music Middleton, Wisconsin : A-R Editions, Inc., 2018. (OCoLC)1028527887 9780895798732 |
| ISBN |
9781987200058 (online) |
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1987200055 |
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9780895798732 (print) |
| Standard No. |
10.31022/B200 doi |
| Music No. |
B200 A-R Editions, Inc. |
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