| Description |
1 online resource (345 pages). |
|
text txt rdacontent |
|
computer c rdamedia |
|
online resource cr rdacarrier |
|
text file rda |
| Series |
Open Access e-Books |
|
Knowledge Unlatched |
|
Film theory in media history |
|
Film theory in media history.
|
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Cinema against Spectacle -- Introduction -- Cinema against Spectacle -- I. Opening the Window? -- II. Inventing the Cinema? -- III. Filming the Disaster? -- IV. Cutting the Figure? -- V. Changing the Spectator? -- Technique and Ideology: Camera, Perspective, Depth of Field -- Introduction -- I. On a Dual Origin -- The ideological place of the "base apparatus" -- Birth = deferral: The invention of the cinema -- II. Depth of Field: The Double Scene -- Bazin's "surplus realism" -- The work of "transparency" -- For a materialist history of the cinema -- "For the first time ..." -- III."Primitive" Depth of Field -- IV. Effacement of Depth/Advent of Speech -- V. Which Speech? |
| Note |
Description based on online resource; title from PDF title page (viewed on 11/17/2020). |
| Summary |
Jean-Louis Comolli's six-part essay Technique and Ideology had a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spectacle over image production, makes the need for an 'emancipated, critical spectator' more pressing than ever. In this volume, Daniel Fairfax presents annotated translations of these two texts to provide an overview of Comolli's activity as both a theorist and a filmmaker. |
| Language |
Translation from the French of Cinéma, contre spectacle. |
| Access |
Open Access EbpS |
| Subject |
Motion pictures -- Philosophy.
|
|
Cinéma -- Philosophie.
|
|
Film theory and criticism.
|
|
PERFORMING ARTS / General
|
|
Motion pictures -- Philosophy
|
| Indexed Term |
Film Theory, Ideology, Cinema and Politics, Film History, Cahiers du cinéma. |
| Genre/Form |
Electronic books.
|
| Added Author |
Fairfax, Daniel, translator.
|
| In: |
Books at JSTOR: Open Access JSTOR |
|
OAPEN (Open Access Publishing in European Networks) OAPEN |
| Other Form: |
Print version: Comolli, Jean-Louis. Cinema against spectacle : technique and ideology revisited / by Jean-Louis Comolli ; translated and edited by Daniel Fairfax. Amsterdam : Amsterdam University Press, [2015] 9789089645548 |
| ISBN |
9048519454 |
|
9789048519453 (electronic bk.) |
|
9789089645548 (pbk) |
| Standard No. |
10.1515/9789048519453 doi |
|
