Kids Library Home

Welcome to the Kids' Library!

Search for books, movies, music, magazines, and more.

     
Available items only
916 results found. Sorted by relevance | date | title .
Printed Score
Author Somis, Giovanni Battista, 1686-1763, composer.

Uniform Title Sonate da camera, op. 3
Title Sonatas for violin and basso continuo, opus 3 / Giovanni Battista Somis ; edited by Glenn Burdette.

Publication Info. Middleton, Wisconsin : A-R Editions, Inc., 2020.
©1998

Copies

Location Call No. OPAC Message Status
 AR Researches in Music Score  Electronic Score    ---  Available
Description 1 online resource (1 score (xii, 58 pages, 2 pages of plates)) : facsimiles + 1 set of 2 parts.
notated music ntm rdacontent
computer c rdamedia
online resource cr rdacarrier
Series Recent researches in the music of the Baroque Era ; 93
Recent researches in Music Online, 2577-4573
Recent researches in the music of the Baroque Era ; 93.
Recent researches in music online. 2577-4573
Note Score is for violin and figured bass, unrealized; includes parts for violin and bass instrument.
Edited from ms. at Cambridge University (Add. MS 7059).
Score and performance parts are available separately from the publisher.
Biographical and historical notes on pages ix-xii; critical notes on pages 57-58.
Summary "Giovanni Battista Somis (1686-1763), born into a family renowned for its service to the Savoyard court, became famous as a violinist, teacher, and composer. Appointed to the court orchestra at age nine, Somis was sent to Rome in 1703, where he studied with Corelli for about three years. Somis's earliest violin sonatas (opus 1 through opus 3, ca. 1717-25) are among the first of that genre in three movements and reflect his training with Corelli and the style galant indifference towards counterpoint. Lyrical melodies over walking basses arrive at frequent but irregularly spaced cadences. Movements are exclusively in the tonic key and arranged slow-fast-fast, with the weight on the middle movement, a monothematic rounded binary form. However, contrasting elements, derived ultimately from the fragmentary nature of Somis's themes, are always prominent. Some of these movements have rudimentary recapitulations, where harmonic and melodic facets seldom coincide; Somis used sequence as a developmental technique. Conceivably composed as early as 1717, opus 3 survives in a manuscript copied in Turin and dated 1725." -- Provided by publisher.
Note Online resource (A-R Editions, viewed February 21, 2020).
Bibliography Includes bibliographical references.
Subject Sonatas (Violin and continuo) -- 18th century -- Scores and parts.
Violin and continuo music -- Italy -- 18th century -- Scores and parts.
Chamber music -- Italy -- 18th century -- Scores and parts.
Violin and continuo music -- 18th century -- Scores and parts.
Sonates (Violon et basse continue) -- 18e siècle -- Partitions et parties.
Violon et basse continue, Musique de -- 18e siècle -- Partitions et parties.
Musique de chambre -- Italie -- 18e siècle -- Partitions et parties.
Chamber music -- Scores and parts
Sonatas (Violin and continuo) -- Scores and parts
Violin and continuo music -- Scores and parts
Italy https://id.oclc.org/worldcat/entity/E39PBJvd8mVMcRhwVmbtcqCPcP
Chronological Term 1700-1799
Genre/Form Chamber music
Parts (Music)
Scores
Sonatas
Sonatas.
Chamber music.
Scores.
Parts (Music)
Sonates.
Musique de chambre.
Partitions (Musique)
Parties (Musique)
Added Author Burdette, Glenn, editor.
Other Form: Print version: Somis, Giovanni Battista, 1686-1763. Sonate da camera, op. 3. Sonatas for violin and basso continuo, opus 3. Madison, Wisconsin : A-R Editions, Inc., 1998. (OCoLC)40533337 9780895794222
ISBN 9781987204186 (online)
1987204182
9780895794222 (print)
Standard No. 10.31022/B093 doi
Music No. B093 A-R Editions, Inc. (score)
B093P A-R Editions, Inc. (parts)

 
    
Available items only