| Description |
271 p. : ill. |
| Series |
Film culture in transition |
|
Film culture in transition.
|
| Bibliography |
Includes bibliographical references (p. [255]-257) and indexes. |
| Contents |
Introduction to an epistemology of viewing and listening dispositives ; The 1900 episteme / Francois Albera and Maria Tortajada -- Projected cinema : a hypothesis on the cinema's imagination ; The case for an epistemography of montage : the Marey moment / Francois Albera -- The 'cinematographic snapshot' : rereading Etienne-Jules Marey ; The cinematograph versus photography, or cyclists and time in the work of Alfred Jarry / Maria Tortajada -- Dynamic paths of thought : exhibition design, photography and circulation in the work of Herbert Bayer ; The lecture : Le Corbusier's use of the word, drawing and projection / Olivier Lugon -- Dancing dolls and mechanical eyes : tracking an obsessive motive from balet to cinema / Laurent Guido -- From broadcast performance to virtual show : television's tennis dispositive / Laurent Guido -- The lecturer, the image, the machine and the audio-spectator : the voice as a component part of audiovisual dispositives / Alain Boillat -- On the singular status of the human voice : Tomorrow's eve and the cultural series of talking machines / Alain Boillat. |
| Reproduction |
Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. |
| Subject |
Motion pictures -- Philosophy.
|
| Genre/Form |
Electronic books.
|
| Added Author |
Albera, Francois, 1948-
|
|
Tortajada, Maria.
|
|
Lewson, Lance.
|
|
ProQuest (Firm)
|
| ISBN |
9789089640840 (hardcover) |
|
9089640843 |
|
9789089640833 (pbk.) |
|
9089640835 |
|
9789048508075 (electronic bk.) |
|
