| Description |
xii, 561 p. : ill. ; 24 cm. |
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Music theory and its histories / Thomas Christensen -- The earliest phases of measured polyphony / Ernest H. Sanders -- Modal strategies in Okeghem's Missa cuiusvis toni / Leeman L. Perkins -- Finding the Soggetto in Willaert's free imitative counterpoint : a step in modal analysis / Benito V. Rivera -- Mode and counterpoint / Peter N. Schubert -- The cavalier Ercole Bottrigari and his brickbats : prolegomena to the defense of Don Nicola Vicentino against Messer Gandolfo Sigonio / Maria Rika Maniates -- Theory as polemic : Mutio Effrem's Censure ... sopra il sesto libro de madrigali di Marco da Gagliano / Edmond Strainchamps -- The place of aesthetics in theoretical treatises on music / Edward A. LIppman -- Chromnaticism in classical music / James M. Baker -- Momigny's Type de la musique and a treatise in the making / Ian Bent -- Normality and disruption in Beethoven's Bagatelle op. 119, no. 8 / Christopher Hatch --Coda as culmination : the first movement of the "Eroica" symphony / Robert P. Morgan -- |
|
Symmetry and symmetrical inversion in turn-of-the-century theory and practice / David W. Bernstein -- Schoenberg and Goethe : organicism and analysis / Severine Neff -- The contrapuntal combination : Schoenberg's old hat / P. Murray Dineen -- The "new education" and music theory, 1900- 1925 / Lee A. Rothfarb -- Harmony as a determinent of structure in Webern's variations for orchestra / Graham H. Phipps -- "The fantasy can be critically examined" : composition and theory in thought of Stefan Wolpe / Austin Clarkson -- The traditions revisited : Stravinsky's Requiem canticles as Russian music / Richard Taruskin. |
| Subject |
Music theory
|
|
Musical analysis.
|
| Added Author |
Hatch, Christopher.
|
|
Bernstein, David W., 1951-
|
| ISBN |
0226319024 (paper : acid-free paper) |
|
0226319016 (cloth : acid-free paper) |
|
