| Description |
1 online resource (1 score (xix, 43 pages, 4 pages of plates)) : facsimiles. |
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notated music ntm rdacontent |
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text txt rdacontent |
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computer c rdamedia |
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online resource cr rdacarrier |
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staff notation 1007 rdafmn |
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score 1007 rdafnm |
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mixed chorus 1 1 lcmpt |
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singer 4 4 lcmpt |
| Series |
Recent researches in Music Online, 2577-4573 |
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Recent researches in the music of the Renaissance ; 179 |
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Motetti Missales Edition |
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Recent researches in music online. 2577-4573
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Recent researches in the music of the Renaissance ; v. 179.
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| Note |
Edited primarily from Milan, Archivio della Veneranda Fabbrica del Duomo di Milano, Sez. Musicale, Librone 1 (olim MS 2269). |
| Bibliography |
Includes bibliographical references. |
| Contents |
Quam pulchra es -- Alma redemptoris mater -- Salve, virgo salutata -- O pulcherrima mulierum -- Ave, regina caelorum mater -- O Maria, clausus hortus -- Mater Patris filia -- Tota pulchra es. |
| Summary |
"The motet cycles known as motetti missales are among the most intriguing repertoires of late-fifteenth-century polyphony. This series features a new critical edition of the six cycles by Loyset Compère, Gaspar van Weerbeke, and Franchinus Gaffurius included in the Milanese Libroni and of the two anonymous cycles transmitted in the Leopold Codex (Munich MS 3154). For the first time this corpus is presented with uniform editorial criteria, facilitating the comparison of mensural choices and other compositional strategies. Furthermore, the introduction of each volume thematizes the peculiar characteristics of each cycle, in terms of textual choices, use of preexisting material, and musical design, allowing for a new assessment of the motetti missales that goes beyond the homogenizing stereotypes of earlier literature and accounts for the individual contributions of the various composers. The editors' insight in this repertoire is the result of two interdisciplinary research projects financed by the Swiss National Fund and carried out at the Schola Cantorum Basiliensis in 2014-21. The cycle Quam pulchra es by Gaspar van Weerbeke (ca. 1452-1517) consists of eight four-voice motets on centonate Marian texts. Among the motetti missales cycles, it boasts not only the most concordances within the Milanese Libroni but is also the only one whose motets were copied in Librone [4], the latest of these codices. So far, none of the motets of this cycle has been found in other contemporaneous sources, suggesting a particular connection between this cycle and Milan." -- Provided by publisher. |
| Language |
Latin words; also printed as text with English translation (pages xvii-xix). |
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Staff notation. |
| Note |
Online resource (A-R editions, viewed October 8, 2023). |
| Subject |
Mary, Blessed Virgin, Saint -- Songs and music.
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Marie, Sainte Vierge -- Chants et musique.
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Mary, Blessed Virgin, Saint
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Motets -- Scores.
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Choruses, Sacred (Mixed voices), Unaccompanied -- Scores.
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Sacred vocal quartets, Unaccompanied -- Scores.
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Motets -- Partitions.
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Chœurs sacrés (Voix mixtes) a cappella -- Partitions.
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Quatuors sacrés a cappella -- Partitions.
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| Genre/Form |
Motets
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Sacred music
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Scores
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Songs and music
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Motets.
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Sacred music.
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Scores.
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Motets.
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Musique sacrée.
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Partitions (Musique)
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| Added Author |
Cassia, Cristina, editor.
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| Other Form: |
Print version: Weerbeke, Gaspar van, approximately 1445- Quam pulchra es (Motet cycle). Quam pulchra es. Middleton, Wisconsin : A-R Editions, Inc., ©2023 (OCoLC)1398569180 9781987208634 |
| ISBN |
9781987208641 (online) |
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1987208641 |
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9781987208634 (print) |
| Standard No. |
10.31022/R179 doi |
| Music No. |
R179 A-R Editions, Inc. (score) |
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