| Description |
1 online resource (1 score (liii, 218 pages, 1 plate)) : facsimile + 2 sets of 1 and 4 parts respectively. |
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notated music ntm rdacontent |
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computer c rdamedia |
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online resource cr rdacarrier |
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score part rdafnm |
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soprano voice 1 instrumental ensemble 1 1 1 lcmpt |
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soprano voice 1 instrument 1 2 lcmpt |
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soprano voice 1 alto voice 1 tenor voice 1 bass voice 1 4 lcmpt |
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soprano voice 1 lute 1 2 lcmpt |
| Series |
Recent researches in the music of the Renaissance ; 171 |
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Recent researches in Music Online, 2577-4573 |
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Recent researches in the music of the Renaissance ; v.171.
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Recent researches in music online. 2577-4573
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| Note |
The secular works can be performed by soprano and either an instrumental ensemble or a chordal instrument or by four voices (SATB). |
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The sacred works are for four voices (SATB). |
| Language |
Italian and Latin words, also printed as texts with English translations. |
| Note |
Title on parts: Four-Voice Frottolistic Settings. |
| Language |
Staff notation; Tablature. |
| Note |
Score and performance parts are available separately from the publisher. |
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Includes introduction and critical report. |
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Includes four vocal parts with frottolistic settings of most of the secular works and a part for soprano and lute for all of the works with lute intabulation. |
| Summary |
"Alfred Einstein assumed continuities between frottola and madrigal, though more recent scholarship has refuted these continuities: these were two different genres, cultivated in different centers of patronage, by different composers, and for different audiences. Michele Pesenti (ca. 1470-1528), however, composed in both genres thanks to different professional circumstances. He composed frottole while in Ferrarese employ, and later, when he secured an appointment at the court of Pope Leo X, he (or someone acting for him) refashioned several of his frottole as madrigals: textless lower instrumental lines are provided with text, converting a composition for a vocalist with instrumental accompaniment into one for an ensemble of four vocalists. This pioneering edition of Pesenti's complete works offers parallel editions of compositions existing in both these forms, as well as compositions for solo voice and instrumental consort that were later arranged for voice and lute. It further seeks to clarify the procedures used in expanding the abbreviated presentation of the frottola's text and music into readily performable form. The editorial team includes a musicologist, a linguist, and a musicologist-performer." -- Provided by publisher. |
| Note |
Online resource (A-R Editions, viewed June 3, 2019). |
| Bibliography |
Includes bibliographical references. |
| Contents |
Secular works. A Dio, signora, adio (oda [frottola baratelliana]) -- Ahimè, ch'io moro (oda [frottola baratelliana]). Version A, four-voice setting ; Version B, lute intabulation -- Ardo e bruscio (frottola-proper) -- Ben mille volte (capitolo) -- Dal lecto me levava (frottola-caccia) -- Dime un poco che vol dire (barzelletta) -- Fuggir voglio el tuo bel volto (frottola-proper) -- Inhospitas per alpes (Latin ode). Version A, four-voice setting ; Version B, lute intabulation -- Integer vitae (Latin ode). Version A, four-voice setting ; Version B, lute intabulation -- L'aqua vale al mio gran foco (frottola-proper) -- Non mi doglio già d'amore (frottola-proper) -- O Dio, che la brunetta mia (villotta [villottistic composition]) -- Passando per una rezolla (frottola with enjambment) -- Poi che 'l ciel e la fortuna (frottola-proper). Version A, four-voice setting ; Version B, lute intabulation -- Questa è mia, l'ho fatta mi (barzelletta) -- Se in tutto hai destinato (oda [frottola baratelliana]) -- S'io son stato a ritornare (frottola-proper). Version A, four-voice setting ; Version B, lute intabulation -- Sempre l'è come esser sole (frottola-proper) -- Sì me piace el dolce foco (barzelletta) -- Trista e noiosa sorte (oda [frottola baratelliana]) -- Tu te lamenti a torto (oda [frottola baratelliana]) -- Una legiadra donna (oda [frottola baratelliana]) -- Vieni ormai, non più tardare (frottola-proper) -- Ahimè lasso, ahimè dolente (barzelletta). Version A, four-voice setting ; Version B, lute intabulation -- Amor, poi che non poi (strambotto) -- O bon, egli è bon (barzelletta [altered]). Version A, four-voice setting ; Version B, lute intabulation -- 27. Sia felice la tua vita (oda [frottola baratelliana]) -- Deh, chi me sa dir novella (barzelletta [altered]). Version A, four-voice setting ; Version B, lute intabulation -- Io son l'ocel che con le debil ali (strambotto distich) -- Non è pensier che 'l mio secreto intenda (canzone). Version A, four-voice setting ; Version B, lute intabulation -- Spenta m'hai del pecto amore (frottola-proper). Version A, four-voice setting ; Version B, lute intabulation -- Io voria esser colù (barzelletta with popular refrain) -- Che faràla, che diràla (barzelletta). Version A, four-voice setting ; Version B, lute intabulation ; Version C, keyboard intabulation -- Quando lo pomo vien (villotta [villottistic composition]). Version A, frottolistic setting ; Version B, villottistic setting -- So ben che lei non sa (villotta [villottistic composition]). Version A, frottolistic setting ; Version B, villottistic setting -- Alma gentil (canzone). |
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Sacred works. Bonum est sperare -- Manus Domini -- Tulerunt Dominum meum. |
| Subject |
Frottolas (Music) -- Scores.
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Villotte -- Scores.
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Part songs, Italian.
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Vocal quartets, Unaccompanied.
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Songs (High voice)
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Songs (High voice) with instrumental ensemble.
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Songs (High voice) with lute.
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Sacred vocal quartets, Unaccompanied.
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Frottole -- Partitions.
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Villotte -- Partitions.
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Polyphonies italiennes.
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Quatuors vocaux a cappella.
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Chansons (Voix aiguë)
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Chansons (Voix aiguë) acc. d'ensemble instrumental.
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Chansons (Voix aiguë) acc. de luth.
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Quatuors sacrés a cappella.
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Part songs, Italian
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Sacred vocal quartets, Unaccompanied
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Songs (High voice)
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Songs (High voice) with instrumental ensemble
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Songs (High voice) with lute
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Vocal quartets, Unaccompanied
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| Genre/Form |
Chamber music
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Part songs
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Parts (Music)
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Sacred music
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Scores
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Songs
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Villotte
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Part songs.
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Villotte.
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Songs.
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Chamber music.
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Sacred music.
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Scores.
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Parts (Music)
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Polyphonies.
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Villotte.
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Musique de chambre.
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Musique sacrée.
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Partitions (Musique)
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Parties (Musique)
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| Added Author |
Cummings, Anthony M., editor.
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Carroll, Linda L., editor.
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Dean, Alexander, editor.
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| Added Title |
Four-voice frottolistic settings.
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| Other Form: |
Print version: Pesenti, Michele. Works. 2019. Complete works. Middleton, Wisconsin : A-R Editions, Inc., 2019. (OCoLC)1098125892 9781987201390 |
| ISBN |
9781987201406 (online) |
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198720140X |
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9781987201390 (print) |
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1987201396 (print) |
| Standard No. |
10.31022/R171 doi |
| Music No. |
R171 A-R Editions, Inc. (score) |
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R171P1 A-R Editions, Inc. (parts) |
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R171P2 A-R Editions, Inc. (parts) |
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