| Description |
1 online resource (260 pages). |
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text txt rdacontent |
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computer c rdamedia |
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online resource cr rdacarrier |
| Series |
Bloomsbury studies in classical reception |
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Bloomsbury studies in classical reception.
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| Bibliography |
Includes bibliographical references and indexes. |
| Contents |
Classical pieces: fragmenting genres in medieval England / Amanda J. Gerber -- "Poetry is a speaking picture": framing a poetics of tragedy in late Elizabethan England / Emma Buckley -- A revolutionary vergil: James Harrington, poetry, and political performance / Ariane Schwartz -- The devouring maw: complexities of classical genre in Milton's Paradise Lost / Caroline Stark -- Georgic as genre: the scholarly reception of vergil in mid-eighteenth-century Britain / Juan Christian Pellicer -- Rhyme and reason: the homeric translations of Dryden, Pope, and Morris / Lilah Grace Canevaro -- From epic to monologue: Tennyson and Homer / Isobel Hurst -- The Elizabethan epyllion: from constructed classical genre to twentieth-century genre / Silvio Bar -- "Homer undone": homeric scholarship and the invention of female epic / Emily Hauser -- Generic "transgressions" and the personal voice / Fiona Cox. |
| Note |
Description based on print version record. |
| Subject |
English poetry -- History and criticism.
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English poetry -- Classical influences.
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| Genre/Form |
Electronic books.
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| Added Author |
Bar, Silvio, editor.
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Hauser, Emily (Fiction writer), editor.
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| Other Form: |
Print version: Reading poetry, writing genre : English poetry and literary criticism in dialogue with classical scholarship. London : Bloomsbury Academic, 2019 260 pages Bloomsbury studies in classical reception. 9781350039322 (DLC) 2018058635 |
| ISBN |
9781350039322 |
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9781350039339 (e-book) |
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9781350039346 (e-book) |
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