| Description |
1 online resource (1 score (xv, 96 pages, 4 pages of plates)) : facsimiles + 1 keyboard-vocal score (80 pages). |
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notated music ntm rdacontent |
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computer c rdamedia |
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online resource cr rdacarrier |
| Series |
Recent researches in the music of the Baroque Era ; 135 |
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Recent researches in Music Online, 2577-4573 |
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Recent researches in the music of the Baroque Era ; 135.
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Recent researches in music online. 2577-4573
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| Note |
Motet. |
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For solo voices (SSCountertenorTB), 5-part chorus, and string orchestra; figured bass realized for keyboard instrument. |
| Language |
Latin words from Psalm 18, also printed as text with English translation on page xv. |
| Note |
Edited from manuscript in the Bibliothèque nationale de France (Vm¹.1345). |
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Score and keyboard-vocal score are available separately from the publisher; set of 13 parts is available in print format only. |
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Includes introduction and critical report. |
| Summary |
"Jean Gilles (1668-1705) and his motet Diligam te, Domine retain notable stature in the history of the French grand motet. Born and educated in Provence, Gilles died at the age of thirty-six probably never having visited Paris, yet his works achieved extraordinary popularity there, enduring on the programs of the Concert Spirituel for more than half a century after his death. Gilles composed Diligam te, Domine sometime before 1701 when Louis XIV's grandsons, the duke of Burgundy and the duke of Berry visited Toulouse. That event no doubt led to the transmission of his work and reputation to Paris. There may not have been any other single composition performed at the Concert Spirituel as many times as was Diligam te, Domine, which enjoyed more than fifty performances between 1731 and 1770. In 1752 Pierre-Louis d'Aquin described it as "a masterpiece." This motet remained in the royal chapel repertory until the time of the French revolution. This volume presents Diligam te, Domine in a modern critical edition for the first time." -- Provided by publisher. |
| Note |
Online resource (A-R Editions, viewed June 20, 2019). |
| Bibliography |
Includes bibliographical references. |
| Subject |
Motets -- France -- 17th century -- Scores.
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Motets -- France -- 17th century -- Vocal scores with piano.
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Choruses, Sacred (Mixed voices) with string orchestra -- Scores.
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Choruses, Sacred (Mixed voices) -- Vocal scores with piano.
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Psalms (Music) -- 18th Psalm.
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Motets -- France -- 17e siècle -- Partitions.
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Motets -- France -- 17e siècle -- Partitions chant et piano.
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Chœurs sacrés (Voix mixtes) acc. d'orchestre à cordes -- Partitions.
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Chœurs sacrés (Voix mixtes) -- Partitions chant et piano.
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Psaumes (Musique) -- 18e psaume.
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Choruses, Sacred (Mixed voices) with string orchestra -- Scores
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Psalms (Music) -- 18th Psalm
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France https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP
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| Chronological Term |
1600-1699
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| Genre/Form |
Motets
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Piano scores
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Scores
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Motets.
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Scores.
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Piano scores.
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Motets.
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Partitions (Musique)
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Partitions de piano.
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| Added Author |
Heyer, John Hajdu, editor.
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| Other Form: |
Print version: Gilles, Jean, 1668-1705. Diligam te, Domine. Middleton, Wisconsin : A-R Editions, Inc., 2004. (OCoLC)224039447 9780895795540 |
| ISBN |
9781987202663 (online) |
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198720266X |
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9780895795540 (print) |
| Standard No. |
10.31022/B135 doi |
| Music No. |
B135 A-R Editions, Inc. (score) |
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B135KV A-R Editions, Inc. (parts) |
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