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Author Bockemühl, Michael, author.

Uniform Title Rembrandt, 1606-1669. English
Title Rembrandt, 1606-1669 : the mystery of the revealed form / Michael Bockemühl ; [edited ... by Brigitte Hilmer ; English translation by Michael Claridge].

Publication Info. Köln : Benedikt Taschen, [2000]
©2000

Copies

Location Call No. OPAC Message Status
 Axe 2nd Floor Stacks  759.9492 R282Db 2000    ---  Available
Description 96 pages : illustrations (some color) ; 23 cm
text txt rdacontent
unmediated n rdamedia
volume nc rdacarrier
Language Translated into English from original German.
Bibliography Includes bibliographical references (page 96).
Contents Rembrandt : a never-ending experience -- Rembrandt the thinker : the structural conception of Rembrandt's early pictures -- The encounter between observer and subject -- From interpretation to observation : The Night Watch -- Observation as comprehension : The Staalmeesters -- The search for life in picture : Susanna and the Elders -- The mystery of the revealed form : The Jewish Bride -- Rembrandt Harmenszoon van Rijn, 1606-0669 : chronology.
Summary "The mystery of the revealed form: A mirror of the artistic and intellectual developments of the 17th century Rembrandt Harmensz van Rijn (1606-1669) was one of the most complex and multi-faceted artists of the 17th century. From his initial period in Leiden to his early and late phases in Amsterdam, the stages of Rembrandt's career mirror the artistic and intellectual developments of the century. After breaking off his studies in Leiden, the young Rembrandt trained as a painter for two years and eventually established his own painting workshop. Characteristic of the Leiden period are his biblical histories, such as The Raising of Lazarus, but the roots of Rembrandt's portraiture, nourished by his intensive studies of physiognomy, also are to be found in these same years. Later, in Amsterdam, the perfection of Rembrandt's likenesses initially won him the favor of numerous patrons--but the artist soon surpassed their expectations. Transcending traditional modes of presentation, Rembrandt composed his portraits in the same manner in which he had earlier constructed his scenes. The results are visible, for example, in the famous group portrait The Anatomy Lesson of Dr. Nicolaes Tulp from 1632. In the last phase of Rembrandt's work--when, plagued by financial problems, he had withdrawn into seclusion--it is no longer possible to distinguish between event paintings and portraits.
Subject Rembrandt Harmenszoon van Rijn, 1606-1669 -- Criticism and interpretation.
Rembrandt Harmenszoon van Rijn, 1606-1669 (OCoLC)fst00047043
Genre/Form Criticism, interpretation, etc. (OCoLC)fst01411635
Added Author Rembrandt Harmenszoon van Rijn, 1606-1669.
Hilmer, Brigitte, editor.
Claridge, Michael, translator.
Added Title Mystery of the revealed form
ISBN 3822863203
9783822863206
0760726795
9780760726792

 
    
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