| Description |
1 online resource (1 score (xii, 276 pages)). |
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notated music ntm rdacontent |
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computer c rdamedia |
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online resource cr rdacarrier |
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bassoon 1 violin 2 viola 2 continuo 1 mixed chorus SSATB 1 6 1 lcmpt 10th, 14th, 17th works |
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trombone 3 violin 2 continuo 1 mixed chorus SATTB 1 6 1 lcmpt 11th, 13th works |
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violin 2 viola 3 continuo 1 mixed chorus SSATB 1 6 1 lcmpt 12th work |
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trombone 3 violin 2 continuo 1 mixed chorus SSATB 1 6 1 lcmpt 15th work |
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bassoon 1 violin 2 viola 2 continuo 1 mixed chorus SATTB 1 6 1 lcmpt 16th work |
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trombone 1 violin 2 continuo 1 mixed chorus SSAATTBB 1 4 1 lcmpt 18th work |
| Series |
Recent researches in the music of the Baroque Era ; 217 |
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Recent researches in Music Online, 2577-4573 |
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Recent researches in the music of the Baroque Era ; 217.
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Recent researches in music online. 2577-4573
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| Note |
Written primarily for equal forces of voices and instruments accompanied by basso continuo. |
| Language |
Latin words; also printed as text with English translation on pages xiii-xviii. |
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Staff notation. |
| Note |
This edition is principally based on eleven partbooks printed in Salzburg, 1677 (RISM A/1 H 5736). |
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Critical report in English. |
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Figured bass unrealized. |
| Summary |
"Andreas Hofer's Ver sacrum seu flores musici is the first printed collection of paraliturgical music for the archiepiscopal court of Salzburg published in a modern edition, an important reparative to the overemphasis on the court's instrumental virtuosos, Heinrich Biber and Georg Muffat. The eighteen pieces of the collection are ordered liturgically, with each composition assigned to a specific feast day. Hofer's texts are a unique collection of centonized scripture, poetry, and prose, which, through creative manipulation of instrumentation, texture, and style, the composer musically dramatizes for the celebration of each feast. Referred to in the note to the reader as works "for the offertory" (despite the absence of any prescribed liturgical texts), these pieces demonstrate the malleable nature of the musical genre in the early modern period." -- Provided by publisher. |
| Note |
Online resource (A-R Editions, viewed June 22, 2021). |
| Bibliography |
Includes bibliographical references. |
| Contents |
Caeli cives (Ascension) ; O suavis aura (Pentecost) ; Panis candidissime (Corpus Christi) ; Audite insulae (St. John the Baptist) ; Egredimini (Feast of the BVM) ; Estote fortes (Apostles) ; Quam splendida (One Martyr) ; Ad sereni caeli (One Confessor) ; Ad festum virginis (Virgin and Martyr). |
| Subject |
Choruses, Sacred (Mixed voices) with instrumental ensemble -- Scores.
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Fasts and feasts -- Songs and music.
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Chœurs sacrés (Voix mixtes) acc. d'ensemble instrumental -- Partitions.
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Choruses, Sacred (Mixed voices) with instrumental ensemble -- Scores
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Fasts and feasts
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| Genre/Form |
Sacred music
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Scores
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Songs and music
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Sacred music.
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Scores.
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Musique sacrée.
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Partitions (Musique)
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| Added Author |
Hieb, Kimberly Beck, editor.
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| Other Form: |
Print version: Hofer, Andreas, approximately 1629-1684, Ver sacrum seu flores musici (Salzburg, 1677) Part 2, Nos. 10-18. Middleton, Wisconsin : A-R Editions, 2021. (OCoLC)1255187706 9781987206210 |
| ISBN |
9781987206234 (online) |
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1987206231 |
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9781987206210 (print) |
| Standard No. |
10.31022/B217 doi |
| Music No. |
B217 A-R Editions, Inc. (score) |
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