| Description |
xii, 251 p. : ill. |
| Series |
Ashgate popular and folk music series |
|
Ashgate popular and folk music series.
|
| Bibliography |
Includes bibliographical references (p. [221]-237) and index. |
| Contents |
National identity and music in transition : issues of authenticity in a global setting / John O'Flynn -- Where does world music come from? : globalization, Afropop and the question of cultural identity / David Murphy -- Voicing risk : migration, transgression and relocation in Spanish/Moroccan rai / Parvati Nair -- Banda, a new sound from the barrios of Los Angeles : transmigration and transcultural production / Helena Simonett -- Rapping at the margins : musical constructions of identities in contemporary France / Brian George -- The quest for national unity in Uyghur popular song : barren chickens, stray dogs, fake immortals and thieves / Joanne Smith -- The singer and the mask : voices of Brazil in Antonio Nobrega's Madeira que cupim nao roi / Robin Warner and Regina Nascimento -- Popular music, tradition and Serbian nationalism / Robert Hudson -- Those Norwegians : deconstructing the nation-state in Europe through fixity and indifference in Norwegian club music / Stan Hawkins. |
| Reproduction |
Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. |
| Subject |
Popular music -- Social aspects.
|
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Popular music -- Political aspects.
|
|
Popular culture.
|
|
Music and globalization.
|
| Genre/Form |
Electronic books.
|
| Added Author |
Biddle, Ian D.
|
|
Knights, Vanessa.
|
|
ProQuest (Firm)
|
| ISBN |
0754640558 (alk. paper) |
|
9780754640554 (alk. paper) |
|
