Description |
xvi, 354 p. illus., facsims., music. 25 cm. |
Contents |
Musicke's handmaiden, by E. A. Bowles.--From musical ideas to computers and back, by H. Brun.--Ethics and esthetics of computer composition, by G. Strang.--Music composed with computers, by L. Hiller.--MUSPEC, by J. P. Citron.--Webern's use of motive, by M. E. Fiore.--Toward a theory of Webernian harmony, by R. Fuller.--Harmony before and after 1910, by R. Jackson.--Permutations of a twelve-tone row, by G. Lefkoff.--Programs involving numerically related tones, by I. Morton and J. Lofstedt.--Possibilities for equally tempered systems, by W. Stoney.--Root progression and composer identification, by J. Youngblood.--Analysis of Javanese music, by F. Lieberman.--Computer-oriented comparative musicology, by B. Suchoff.--Numerical methods of comparing musical styles, by F. Crane and J. Fiehler.--Style analysis by computer, by A. J. Gabura.--Toward a French chanson catalog, by B. Hudson.--Transcription of tablature to standard notation, by W. Earle Hultberg.--Melodic borrowings among organa dupla, by T. Karp.--MIR, a simple programming language, by M. Kassler.--Automated catalog for scores and phonorecords, by J. W. Tanno, A. G. Lynn, and R. E. Roberson. |
Subject |
Music -- Data processing.
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Computer music.
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Added Author |
Lincoln, Harry B.
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ISBN |
0801405505 |
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