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Printed Score
Author Marcello, Benedetto, 1686-1739, composer, librettist.

Title Il trionfo della Poesia, e della Musica / Benedetto Marcello ; edited by Michael Burden.

Publication Info. Middleton, Wisconsin : A-R Editions, Inc., 2016.
©2016

Copies

Location Call No. OPAC Message Status
 AR Researches in Music Score    ---  Available
Description 1 online resource (1 score (xxxii, 274 pages, 4 pages of plates)) : facsimiles.
notated music ntm rdacontent
computer c rdamedia
online resource cr rdacarrier
soprano voice 2 alto voice 2 tenor voice 1 bass voice 1 mixed chorus 1 SATB string orchestra 1 lcmpt
Series Recent researches in the music of the Baroque Era ; 191
Recent researches in Music Online, 2577-4573
Recent researches in the music of the Baroque Era ; 191.
Recent researches in music online. 2577-4573
Note Oratorio, probably written for the feast of the Assumption for the church of San Giovanni, a Jesuit institution in Macerata, in the Marche region of Italy.
For solo voices (Musica [S], Poesia [A], SATB), chorus (SATB), and string orchestra (2 violins, viola, basso continuo).
Figured bass unrealized.
Language Italian words; also printed as text with English translation by Mark Pobjoy on pages xvii-xxxii.
Staff notation.
Note Librettist unknown; possibly by Giulio Vitelleschi and/or the composer.
Edited from manuscript scores in the Bibliothèque royale de Belgique, Brussels (Ms II 3931 Mus Fétis 2173) and Rowe Music Library, King's College, Cambridge (Rowe MS 204), and manuscript libretto in the Archivio Doria Pamphilj, Rome (no. 289).
Includes introduction and critical report.
Summary "Il trionfo has many characteristics of the oratorio genre as Italy understood it in the early eighteenth century. The story is carried forward by a small number of characters, with little involvement of a chorus. The nature of the text, an allegorical representation of the assumption of the Virgin Mary, is, however, less expected. The feast (15 August) celebrates the death and translation of Mary, a story that survives in Greek, Latin, Syriac, and Coptic sources. In Il trionfo, however, any religious narrative is eschewed for a debate between Music and Poetry. Using the building blocks of the oratorio, Marcello achieves a dynamic, dramatic work by introducing variations into the recitative-da capo pattern. The slightly passé academic style of Il pianto has been lifted in tone, leading to the lighter, more homophonic approach of the early classical style." -- Provided by publisher.
Note Online resource (A-R Editions, viewed November 2, 2018).
Bibliography Includes bibliographical references.
Contents Introduction -- Text and translation -- Plates -- Il trionfo della Poesia, e della Musica.Sinfonia ; Prima parte ; Seconda parte -- Critical report -- Appendix : Alternative ending for Part 1.
Subject Oratorios -- Scores.
Choruses, Sacred (Mixed voices) with string orchestra -- Scores.
Feast of the Assumption of the Blessed Virgin Mary -- Songs and music.
Oratorios -- Partitions.
Chœurs sacrés (Voix mixtes) acc. d'orchestre à cordes -- Partitions.
Fête de l'Assomption de la Vierge Marie -- Chants et musique.
Choruses, Sacred (Mixed voices) with string orchestra -- Scores
Feast of the Assumption of the Blessed Virgin Mary
Oratorios -- Scores
Genre/Form Oratorios
Sacred music
Scores
Songs and music
Oratorios.
Sacred music.
Scores.
Oratorios.
Musique sacrée.
Partitions (Musique)
Added Author Burden, Michael, 1960- editor.
Vitelleschi, Giulio, librettist.
Pobjoy, Mark, translator.
Other Form: Print version: Marcello, Benedetto, 1686-1739. Trionfo della Poesia, e della Musica. Trionfo della Poesia, e della Musica. Middleton, Wisconsin : A-R Editions, Inc., [2016]. (OCoLC)950688750 9780895798336
ISBN 9781987200430 (online)
1987200438
9780895798336 (print)
Standard No. 10.31022/B191 doi
Music No. B191 A-R Editions, Inc.

 
    
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