Description |
1 online resource (1 score (xxiv, 300 pages, 4 pages of plates)) : facsimiles. |
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notated music ntm rdacontent |
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computer c rdamedia |
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online resource cr rdacarrier |
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soprano voice 2 alto voice 1 women's chorus SSAA string orchestra lcmpt |
Series |
Collegium musicum (Yale University) ; second series, v.21 |
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Recent researches in Music Online, 2577-4573 |
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Collegium musicum (Yale University) ; 2nd series, v.21.
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Recent researches in music online. 2577-4573
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Note |
For solo voices (SSA), women's chorus (SSAA), and string orchestra. |
Language |
Latin words. |
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Staff notation. |
Note |
Edited from holographs in the British Library (Additional 14125, 14126, 14128, 14129) and copyists' manuscripts in the Conservatorio San Pietro a Majella, Naples (M. Rel. 1617) (Dixit Dominus and Magnificat). |
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Includes introduction and critical report. |
Summary |
"The vespers music composed by Nicola Porpora for the feast of the Assumption (15 August) in 1744, during his first year as maestro at the Ospedale di Santa Maria dei Poveri Derelitti (popularly known as the Ospedaletto), occupies a place of particular importance in his sacred output: it can be reconstructed almost in full from manuscripts of Porpora's surviving works, and its scoring for an all-female choir consisting of divided sopranos and altos -- the typical choral forces employed in the ospedali at this time -- makes it a rare specimen of liturgical music composed expressly for the Venetian figliole. This edition recreates the music of this service by bringing together settings by Porpora of the five psalms of the Marian cursus (Dixit Dominus, Laudate pueri, Laetatus sum, Nisi Dominus, and Lauda Jerusalem) and the Magnificat canticle, along with two settings of the Marian antiphon Salve Regina, which would have been sung as an additional devotion following the canonical liturgy. Although the Dixit Dominus and Magnificat, composed during Porpora's years in Naples, were originally scored for standard mixed choir, it is likely that they were adapted for the 1744 performance in Venice; consequently, they have been adapted for all-female choir and soloists in this edition." -- Provided by publisher. |
Note |
Online resource (A-R Editions, viewed December 11, 2018). |
Bibliography |
Includes bibliographical references. |
Contents |
Dixit Dominus -- Laudate pueri : 1745 -- Laetatus sum : 1744 -- Nisi Dominus : 1744 -- Lauda Jerusalem : 1744 -- Magnificat (1741) -- Salve Regina in F major (1744; alto solo) -- Salve Regina in B-flat major (1744; soprano solo) -- Appendix. Plainchant for Vespers of the Assumption. |
Subject |
Vespers (Music)
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Choruses, Sacred (Women's voices) with string orchestra -- Scores.
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Feast of the Assumption of the Blessed Virgin Mary -- Songs and music.
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Chœurs sacrés (Voix de femmes) acc. d'orchestre à cordes -- Partitions.
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Fête de l'Assomption de la Vierge Marie -- Chants et musique.
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Feast of the Assumption of the Blessed Virgin Mary
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Vespers (Music)
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Genre/Form |
Event music
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Sacred music
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Scores
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Songs and music
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Vespers (Music)
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Vespers (Music)
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Event music.
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Sacred music.
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Scores.
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Vêpres (Musique)
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Musique de circonstance.
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Musique sacrée.
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Partitions (Musique)
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Added Author |
Markstrom, Kurt Sven, 1954- editor.
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Other Form: |
Print version: Porpora, Nicola, 1686-1768. Vocal music. Selections. Vespers for the Feast of the Assumption. Middleton, Wisconsin : A-R Editions, Inc., [2015]. (OCoLC)919257269 9780895798183 |
ISBN |
9781987200737 (online) |
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198720073X |
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9780895798183 (print) |
Standard No. |
10.31022/Y2-021 doi |
Music No. |
Y2-021 A-R Editions, Inc. |
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