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Printed Score
Author Porter, Walter, -1659, composer.

Uniform Title Works. 2017
Title Collected works / Walter Porter ; edited by Jonathan P. Wainwright.

Publication Info. Middleton, Wisconsin : A-R Editions, Inc., 2017.
©2017

Copies

Location Call No. OPAC Message Status
 AR Researches in Music Score  Electronic Score    ---  Available
Description 1 online resource (1 score (xxxiii, 256 pages, 10 pages of plates)) : facsimiles.
notated music ntm rdacontent
computer c rdamedia
online resource cr rdacarrier
solo vocal ensemble 1 continuo 1 lcmpt
solo vocal ensemble 1 violin 2 continuo 1 lcmpt
soprano voice 1 continuo lcmpt
singer 3 3 lcmpt
Series Recent researches in the music of the Baroque Era ; 194
Recent researches in Music Online, 2577-4573
Recent researches in the music of the Baroque Era ; 194.
Recent researches in music online. 2577-4573
Language Staff notation.
Note Score and performance parts are available separately from the publisher.
Includes introduction and critical report.
Parts for 2 violins and bass viol.
Figured bass unrealized.
Summary "This volume brings together, for the first time in a critical edition, the complete works of the English composer Walter Porter (ca. 1587/ca. 1595-1659). One of a small number of English composers from the first half of the seventeenth century who embraced "progressive" Italianate methods of composition, Porter is further worthy of mention in histories of music for two reasons: he was the composer of the last book of English madrigals, and he claimed to have been the pupil of Claudio Monteverdi. His works survive primarily in two printed collections: Madrigales and Ayres (1632) and Mottets of Two Voyces (1657). Six of the 1657 Mottets also appear in York Minster Library, MS M. 5/1-3(S). One strophic song and three catches may also be attributed to Walter Porter and are included in an appendix." -- Provided by publisher.
Note Online resource (A-R Editions, viewed October 25, 2018).
Bibliography Includes bibliographical references.
Contents Madrigales and ayres (1632). O praise the Lord : SAATB, b.c. ; Hither we come into this world of woe : SSATB, 2 violins, b.c. ; He that loves a rosie cheeke : SSAT, 2 violins, b.c. ; Sleepe all my joyes : SATB, b.c. ; Who hath a human soule : SSB, 2 violins, b.c. ; Sitting once, rapt with delight : STB, 2 violins, b.c. ; 'Tis but a frowne : SS, 2 violins, b.c. ; Looke on me ever : SATB, 2 violins, b.c. ; Tell me you starres : ST, 2 violins, b.c. ; Old poets, that in Cupid's hand : SSATB, 2 violins, b.c. ; Thus sung Orpheus to his strings : SSATB, 2 violins, b.c. ; When first I saw thee : SS, 2 violins, b.c. ; End now my life : ATB, 2 violins, b.c. ; Since all things love : SSB, 2 violins, b.c. ; Farewell, once my delight : SSATB, b.c. ; Come lovers all to mee : SSATB, 2 violins, b.c. ; In Celia's face a question did arise : STB, 2 violins, b.c. ; Tell me where the beautie lyes : SATB, b.c. ; Love in thy youth faire maide : ATB, 2 violins, b.c. ; Hayle, Cloris, hayle! : SSATB, 2 violins, b.c. ; Young Thirsis lay in Phillis' lap : SSATB, 2 violins, b.c. ; Thy face and eyes : ATB, 2 violins, b.c. ; Tell me, Amintas : AT, 2 violins, b.c. ; I saw faire Cloris walke alone : SS, b.c. ; Death there is no neede of thee : SATB, 2 violins, b.c. ; Like the rash and giddie flye : SSB, 2 violins, b.c. ; Wake sorrow, wake : SSATB, 2 violins, b.c. -- Mottets of two voyces (1657). When Israel left th'Ægyptian land SB, b.c. ; O blest estate! : SB, b.c. ; Behold now praise the Lord : SB, b.c. ; How long, Lord : TB, b.c. ; I will lift up mine eyes to heav'n : TB, b.c. ; Who knows the terror of thy wrath : TB, b.c. ; The bounty of Jehovah praise : TB, b.c. ; Cast off, and scattered in thine ire : AB, b.c. ; When I the bold transgressor see : AB, b.c. ; Great God of hosts revenge our wrong : AB, b.c. ; But O! thrice blessed he : AB, b.c. ; My ravisht soul : AB, b.c. ; Lord, showre on us thy grace : AB, b.c. ; Who knows what his offences be? : TB, b.c. ; Thou mover of the rolling sphears : TB, b.c. ; O happy he, who God obeys : TB, b.c. ; My soul intirely shal affect the Lord : TB, b.c. -- Appendix: works with uncertain attribution. Come, come my lovers : S, b.c. ; Catches [for three voices]: Fill's a pipe of tobacco ; I can mend your tubs or pails ; Now kiss the cup cousin with courtesie.
Subject Madrigals, English -- Scores and parts.
Vocal ensembles with continuo -- Scores and parts.
Vocal ensembles with instrumental ensemble -- Scores and parts.
Motets -- Scores and parts.
Sacred vocal duets with continuo -- Scores and parts.
Songs (High voice) with continuo -- Scores and parts.
Glees, catches, rounds, etc. -- Scores and parts.
Ensembles vocaux acc. de basse continue -- Partitions et parties.
Ensembles vocaux acc. d'ensemble instrumental -- Partitions et parties.
Motets -- Partitions et parties.
Duos sacrés acc. de basse continue -- Partitions et parties.
Chansons (Voix aiguë) acc. de basse continue -- Partitions et parties.
Glees, catches, rounds, etc. -- Partitions et parties.
Genre/Form Madrigals (Music)
Motets
Parts (Music)
Rounds (Music)
Sacred music
Scores
Songs
Madrigals (Music)
Motets.
Sacred music.
Songs.
Rounds (Music)
Scores.
Parts (Music)
Madrigaux (Musique)
Motets.
Musique sacrée.
Rounds (Musique)
Partitions (Musique)
Parties (Musique)
Added Author Wainwright, Jonathan P., 1961- editor.
Container of (work): Porter, Walter, -1659. Madrigales and ayres.
Container of (work): Porter, Walter, -1659. Mottets of two voyces.
Other Form: Print version: Porter, Walter, -1659. Works. Collected Works. Middleton, Wisconsin : A-R Editions, Inc., 2017. (OCoLC)1050151348 9780895798466
ISBN 9781987200317 (online)
1987200314
9780895798466 (print)
Standard No. 10.31022/B194 doi
Music No. B194 A-R Editions, Inc. (score)
B194P A-R Editions, Inc. (parts)

 
    
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