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Printed Score
Author Sances, Giovanni Felice, approximately 1600-1679, composer.

Uniform Title Motets, voices (1-4), continuo
Title Motetti a una, due, tre, e quattro voci (1638) / Giovani Felice Sances ; edited by Steven Saunders.

Publication Info. Middleton, Wisconsin : A-R Editions, Inc., 2019.
©2003

Copies

Location Call No. OPAC Message Status
 AR Researches in Music Score  Electronic Score    ---  Available
Description 1 online resource (1 score (xxxi, 191 pages, 2 pages of plates)) : facsimiles.
notated music ntm rdacontent
computer c rdamedia
online resource cr rdacarrier
Series Recent researches in the music of the Baroque Era ; 126
Recent researches in Music Online, 2577-4573
Recent researches in the music of the Baroque Era ; 126.
Recent researches in music online. 2577-4573
Note For 1-4 voices and continuo; nos. 24-25 also with 2 violins.
Language Latin words, also printed as text with English translations.
Note Includes program, performance, and critical notes in English.
Summary "This edition makes available an important collection of sacred music by Giovanni Felice Sances (ca. 1600-1679), a composer who has long been known primarily through his early secular works. The compositions of his Motetti a una, due, tre e quattro voci (Venice, 1638) provide fascinating examples of the seventeenth-century motet from the imperial court in Vienna. Relatively few pieces are through-composed in the manner of the Renaissance motet; most employ some structural device such as a refrain, instrumental ritornello, walking bass, ostinato, or quasi-ostinato. The collection is equally interesting as a cultural document, for it mirrors the liturgical, devotional, and representational needs of Sances's patrons, the Austrian Habsburgs. One motet, for example, provides a calculated homage to Emperor Ferdinand III, and others reflect the private devotional practices of members of the imperial family. Indeed, Sances's collection actively shaped seventeenth-century Viennese culture by helping to impose Catholic cultural hegemony, and publicly by articulating Habsburg notions of Catholic piety, monarchal duty, and the divine right of kings." -- Provided by publisher.
Note Online resource (A-R Editions, viewed August 19, 2019).
Bibliography Includes bibliographical references.
Contents Ardet cor meum -- Laetamini in Domino -- O quam speciosa -- Quemadmodum -- Solvatur lingua mea -- Conditor caeli et terrae -- Audite me, divini fructus -- Dulcis amor Jesu -- Judica me, Deus -- Domine, ne memineris -- Psallite Domino -- Vulnerasti cor meum -- Deus in adjutorium -- Tota pulchra es -- Jubilent in caelis -- Salvum me fac -- Laudemus viros gloriosos -- Plagae tuae, Domine -- O crux benedicta -- O Domine, guttae tui sanguinis -- Ave, Regina caelorum -- O Jesu mi -- Magnificemus in cantico -- Iste confessor -- Ave, maris stella -- O Jesu mi dulcissime -- Salve, Regina.
Subject Motets -- Austria -- 17th century -- Scores.
Sacred vocal ensembles with continuo -- Scores.
Sacred songs with continuo -- Scores.
Sacred vocal ensembles with instrumental ensemble -- Scores.
Motets -- Autriche -- 17e siècle -- Partitions.
Chants sacrés acc. de basse continue -- Partitions.
Ensembles vocaux sacrés acc. d'ensemble instrumental -- Partitions.
Austria https://id.oclc.org/worldcat/entity/E39PBJx8BTwr9ybyyMq4GVJFKd
Chronological Term 1600-1699
Genre/Form Motets
Scores
Motets.
Scores.
Motets.
Partitions (Musique)
Added Author Saunders, Steven, 1955- editor.
Other Form: Print version: Sances, Giovanni Felice, approximately 1600-1679. Motets, voices (1-4), continuo. Motetti a una, due, tre, e quattro voci (1638) Middleton, Wisconsin : A-R Editions, Inc., 2003. (OCoLC)52641167 9780895795397
ISBN 9781987202946 (online)
1987202945
9780895795397 (print)
Standard No. 10.31022/B126 doi
Music No. B126 A-R Editions, Inc.

 
    
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