| Description |
xi, 355 p. : ill. ; 24 cm. |
| Series |
ACLS Humanities E-Book.
|
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Gender and other dualities of music history -- Difference and power in music -- Loving it : music and criticism in Roland Barthes -- Charles Ives and gender ideology -- Ethnomusicologist as midwife -- Women as musicians : a question of class -- Miriam sings her song -- Lesbian fugue -- Reading as an opera queen -- Schwarze Gredel and the engendered minor mode in Mozart's operas -- Opera -- Britten's dream -- Of women, music, and power : a model from Seicento Florence -- Carnaval, cross-dressing, and the woman in the mirror -- Narrative agendas in "absolute" music : identity and difference in Brahms's Third Symphony. |
| Reproduction |
Electronic text and image data. Ann Arbor, Mich. : University of Michigan, Michigan Publishing, 2009. Includes both TIFF files and keyword searchable text. ([ACLS Humanities E-Book]) Mode of access: Intranet. |
| Subject |
Sex in music.
|
|
Music -- Psychological aspects.
|
|
Musicology.
|
| Added Author |
Solie, Ruth A.
|
|
American Council of Learned Societies.
|
| In: |
ACLS Humanities E-Book. URL: https://www.humanitiesebook.org/ |
| ISBN |
0520201469 |
|
9780520201460 |
| Standard No. |
2027/heb06281 hdl |
|
