| Description |
xvii, 167 p. : ill. |
| Series |
Margaret Walker Alexander series in African American studies
|
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Introduction: changing the frame, framing the change: the art of Percival Everett / Keith B. Mitchell and Robin G. Vander -- "Knowledge2 + certainty2 = squat2": (re)thinking identity and meaning in Percival Everett's The water cure / Jonathan Dittman -- "This strange juggler's game": forclusion in Percival Everett's I am not Sidney Poitier / Sarah Mantilla Griffin -- Frenzy: framing text to set discourse in a cultural continuum / Ronald Dorris -- The preservationist impulse in Percival Everett's "True romance" / Frederic Dumas -- The mind-body split in American desert: synthesizing Everett's critique of race, religion, and science / Richard Schur -- A bird of a different feather: blues, jazz, and the difficult journey to the self in Percival Everett's Suder / Uzzie Cannon -- "Do you mind if we make Craig Suder white?": from stereotype to cosmopolitan to grotesque in Percival Everett's Suder / Anthony Stewart -- Charting the body: Percival Everett's corporeal landscapes in re: f (gesture) / Sarah Wyman -- When the text becomes the stage: Percival Everett's performance turn in For Her dark skin / Robin G. Vander. |
| Reproduction |
Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. |
| Subject |
Everett, Percival L. -- Criticism and interpretation.
|
| Genre/Form |
Electronic books.
|
| Added Author |
Mitchell, Keith B., 1962-
|
|
Vander, Robin G.
|
|
ProQuest (Firm)
|
| ISBN |
9781617036828 (cloth : alk. paper) |
|
9781621039181 (electronic bk.) |
|
