| Description |
1 online resource (1 score (xxiii, 179 pages, 3 pages of plates)) : facsimiles. |
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notated music ntm rdacontent |
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computer c rdamedia |
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online resource cr rdacarrier |
| Series |
Recent researches in the music of the Baroque Era ; 86 |
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Recent researches in Music Online, 2577-4573 |
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Recent researches in the music of the Baroque Era ; 86.
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Recent researches in music online. 2577-4573
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| Note |
Vespers. |
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Principally for 4 mixed choruses (4-5 parts) with unrealized basso continuo. Vocal parts may be doubled by instruments. |
| Language |
Latin words; printed also as text with English translation, pages xix-xxiii. |
| Note |
Edited from partbooks in Civico museo bibliografico musicale, Bologna (I-Bc), U.353. |
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Includes preface and critical notes in English. |
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Includes Viadana's instructions for placement of choirs and instruments in Italian with English translation, pages 2-3. |
| Summary |
"In Viadana's polychoral Vespers, the Salmi a quattro chori of 1612, the choro favorito (Choir I) comprises five soloists and the capella (Choir II) is the main SATB group. These two choirs carry the real musical dialogue of the work, while the choro acuto (high Choir III) and choro grave (low Choir IV), both in four parts, are treated as ripieno groups that can be dispensed with if necessary. This was a totally new idea that only became general practice around 1630. Rich cities with cathedral status could therefore perform the Salmi with the full complement of four choirs (or even seven if Choirs II, III, and IV were doubled) while smaller communities could make do with the basic complement of Choirs I and II. Viadana discussed these performance possibilities in his famous preface, "Modo di concertare," which is provided in the original Italian and in English translation. What is most remarkable musically about this work is Viadana's treatment of the five-part solo chorus: in everchanging vocal combinations he brilliantly exploits the possibilities of the concertato style by setting the choro favorito against the other choirs with lively dialogue marked by rhythmical links and syncopations. The edition includes a detailed discussion of performance practice as it relates to forces, instrumental doublings of the choirs, placement of the choirs, and the basso continuo." -- Provided by publisher. |
| Note |
Online resource (A-R Editions, viewed February 19, 2020). |
| Bibliography |
Includes bibliographical references. |
| Contents |
Deus in adjutorium -- Dixit Dominus : (Psalm 109) -- Confitebor tibi : (Psalm 110) -- Beatus vir : (Psalm 111) -- Laudate pueri : (Psalm 112) -- Laudate Dominum : (Psalm 116) -- Laetatus sum : (Psalm 121) -- Nisi Dominus : (Psalm 126) -- Lauda Jerusalem : (Psalm 147) -- Magnificat -- Sinfonia a doi tenori -- Magnificat. |
| Subject |
Psalms (Music) -- Italy -- 17th century -- Scores.
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Magnificat (Music) -- Italy -- 17th century -- Scores.
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Vespers (Music) -- 17th century -- Scores.
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Choruses, Sacred (Mixed voices) with continuo -- Scores.
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Sacred vocal duets with continuo -- Scores.
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Choruses, Sacred (Mixed voices) with instrumental ensemble.
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Psalms (Music) -- 109th Psalm -- Scores.
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Psalms (Music) -- 110th Psalm -- Scores.
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Psalms (Music) -- 111th Psalm -- Scores.
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Psalms (Music) -- 112th Psalm -- Scores.
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Psalms (Music) -- 116th Psalm -- Scores.
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Psalms (Music) -- 121st Psalm -- Scores.
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Psalms (Music) -- 126th Psalm -- Scores.
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Psalms (Music) -- 147th Psalm -- Scores.
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Psaumes (Musique) -- Italie -- 17e siècle -- Partitions.
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Magnificat (Musique) -- 17e siècle -- Partitions.
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Duos sacrés acc. de basse continue -- Partitions.
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Chœurs sacrés (Voix mixtes) acc. d'ensemble instrumental.
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Psaumes (Musique) -- 110e psaume -- Partitions.
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Psaumes (Musique) -- 111e psaume -- Partitions.
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Psaumes (Musique) -- 112e psaume -- Partitions.
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Psaumes (Musique) -- 116e psaume -- Partitions.
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Psaumes (Musique) -- 121e psaume -- Partitions.
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Psaumes (Musique) -- 126e psaume -- Partitions.
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Psaumes (Musique) -- 147e psaume -- Partitions.
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Choruses, Sacred (Mixed voices) with instrumental ensemble
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Psalms (Music)
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Italy https://id.oclc.org/worldcat/entity/E39PBJvd8mVMcRhwVmbtcqCPcP
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| Chronological Term |
1600-1699
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| Genre/Form |
psalms.
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Psalms (Music)
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Scores
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Vespers (Music)
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Psalms (Music)
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Vespers (Music)
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Scores.
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Psaumes (Musique)
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Vêpres (Musique)
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Partitions (Musique)
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| Added Author |
Wielakker, Gerhard, editor.
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| Added Title |
Musical setting of (work): Bible. Psalms, CIX. 1998.
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Musical setting of (work): Bible. Psalms, CX. 1998.
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Musical setting of (work): Bible. Psalms, CXI. 1998.
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Musical setting of (work): Bible. Psalms, CXII. 1998.
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Musical setting of (work): Bible. Psalms, CXVI. 1998.
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Musical setting of (work): Bible. Psalms, CXXI. 1998.
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Musical setting of (work): Bible. Psalms, CXXVI. 1998.
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Musical setting of (work): Bible. Psalms, CXLVII. 1998.
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| Other Form: |
Print version: Viadana, Lodovico da, approximately 1560-1627. Salmi per cantare e concertare nelle gran solennità di tutto l'anno. Salmi a quattro chori. Madison, Wisconsin : A-R Editions, Inc., 1998. (OCoLC)38572037 9780895793980 |
| ISBN |
9781987204100 (online) |
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1987204107 |
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9780895793980 (print) |
| Standard No. |
10.31022/B086 doi |
| Music No. |
B086 A-R Editions, Inc. (score) |
