| Description |
188 p. ; 23 cm. |
| Bibliography |
Includes bibliographical references. |
| Contents |
The music of American adults -- Gospel music origins : blood songs and testimonies -- The Bristol sessions : the Carter family and Jimmie Rodgers -- Nashville : from the Opry to the outlaws -- The Christian tradition in country music : between the devil and me -- The Christian tradition in country music : old ruined churches -- Country music's moral tradition : marriage and D-I-V-O-R-C-E -- Country music's moral tradition : drinkin', cheatin', and family values -- The country artist : Hank Williams versus Luke the drifter -- Contemporary country music. |
| Summary |
The worldview of Christianity--specifically, the battle between human sin and God's grace--is a recurring theme in country music, a genre that is fast becoming one of the most popular American music styles. In this intriguing cultural analysis, the authors explore the intense spiritual tensions and differing values that emerge so clearly in contemporary country music by examining its history, selected artists, and themes. Most important, Honky-Tonk Gospel answers a compelling question: How is it that country artists can sing about a Saturday night bash at a honky-tonk and then turn around and extol the praises of going to worship on Sunday? As the authors point out, the country music worldview is large enough to encompass both sin and grace. In fact, country music is so appealing because it sings about almost every facet of life--hard times and all [Publisher description] |
| Subject |
Country music -- Religious aspects -- Christianity.
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Country music -- Social aspects.
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Country music -- History and criticism.
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| Added Author |
Wilmeth, Thomas L.
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| ISBN |
0801063558 (paper) |
|
9780801063558 (paper) |
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