| Description |
1 online resource |
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text txt rdacontent |
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computer c rdamedia |
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online resource cr rdacarrier |
| Bibliography |
Includes bibliographical references and index. |
| Note |
Online resource; title from PDF title page (EBSCO, viewed February 21, 2018). |
| Contents |
Introduction -- Part I. Revising historiography : early film culture in Hong Kong, Taiwan, and Guangzhou -- 1. Translating Yingxi : Chinese film genealogy and early cinema in Hong Kong -- 2. Magic lantern shows and screen modernity in colonial Taiwan -- 3. From an imported novelty to an indigenized practices : Hong Kong cinema in the 1920s -- 4. Enlightenment, propaganda, and image creation : a descriptive analysis of the usage of film by the Taiwan education society and the colonial government before 1937 -- 5. 'Guangzhou Film' and Guangzhou urban culture -- 6. The way of the Platinum Dragon : Xue Juexian and the sound of politics in 1930s Cantonese cinema-- Part II. Intermediaries, cinephiles, and film literati -- 7. Toward the opposite side of 'vulgarity' the birth of cinema as a 'healthful entertainment' and the Shanghai YMCA -- 8. Movie matchmakers : the intermediatries between Hollywood and China in the early twentieth century -- 9. The silver star group : a first attempt at theorizing wenyi in the 1920s -- 10. Forming the movie field : film literati in Republican China -- 11. Rhythmic movement, metaphoric sound, and transcultural transmediality : Liu Na'ou and The man who has a camera (1933) -- Chinese and Japanese glossary. |
| Summary |
This volume features new work on cinema in early twentieth-century Hong Kong, Taiwan, and Republican China. Looking beyond relatively well-studied cities like Shanghai, these essays foreground cinema's relationship with imperialism and colonialism and emphasize the rapid development of cinema as a sociocultural institution. These essays examine where films were screened; how cinema-going as a social activity adapted from and integrated with existing social norms and practices; the extent to which Cantonese opera and other regional performance traditions were models for the development of cinematic conventions; the role foreign films played in the development of cinema as an industry in the Republican era; and much more. |
| Note |
This work is licensed under the Creative Commons Attribution-Noncommercial-NoDerivatives 4.0 Unported license https://creativecommons.org/licenses/by-nc-nd/4.0 |
| Language |
English. |
| Access |
Open Access EbpS |
| Subject |
Motion pictures -- China -- History.
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Motion pictures -- China -- Hong Kong -- History.
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Motion pictures -- Taiwan -- History.
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Motion picture industry -- China -- History.
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Motion picture industry -- China -- Hong Kong -- History.
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Motion picture industry -- Taiwan -- History.
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Cinéma -- Chine -- Histoire.
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Cinéma -- Chine -- Hongkong -- Histoire.
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Cinéma -- Taiwan -- Histoire.
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Cinéma -- Industrie -- Chine -- Histoire.
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Cinéma -- Industrie -- Chine -- Hongkong -- Histoire.
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Cinéma -- Industrie -- Taiwan -- Histoire.
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Electronic, holographic & video art.
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The arts: general issues.
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PERFORMING ARTS -- Reference.
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ART -- General.
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Motion picture industry
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Motion pictures
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China https://id.oclc.org/worldcat/entity/E39PBJcrd4RjtCBk4wfMhTwwG3
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China -- Hong Kong
https://id.oclc.org/worldcat/entity/E39PBJvt6xv8pV6CJd3DMttxjC
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Taiwan
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| Indexed Term |
Arts. |
| Genre/Form |
Electronic books.
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History
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| Added Author |
Yeh, Emilie Yueh-yu, editor.
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| In: |
OAPEN (Open Access Publishing in European Networks) OAPEN |
| Other Form: |
Print version: 0472053728 9780472053728 (OCoLC)1019639449 |
| ISBN |
9780472123445 (electronic bk.) |
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0472123440 (electronic bk.) |
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9780472901029 (electronic bk.) |
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0472901028 (electronic bk.) |
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0472073729 |
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9780472073726 |
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9780472053728 |
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0472053728 |
| Standard No. |
10.3998/mpub.9731616 doi |
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AU@ 000066528229 |
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AU@ 000069155729 |
