| Description |
viii, 405 p. : ill. ; 24 cm. |
| Bibliography |
Includes bibliographical references (p. 373-390) and index. |
| Summary |
The volume contains two sections: "Theory and History," an explanation of comics as a medium and an overview of its evolution, and "Reviews and Commentary," a diverse examination of creators and works. The second section spans Will Eisner's pioneering efforts as well as the groundbreaking modern comics by the Hernandez brothers, Chris Ware and Alison Bechdel. |
| Contents |
Pt. 1. Theory and history. What comics are, and what they aren't -- Auteurs, the history of art comics, and how to look at ugly drawings -- What's good about bad comics, and what's bad about good comics -- Superheroes and superreaders -- Pictures, words and the space between them -- Pt. 2. Reviews and commentary. David B.: The battle against the real world -- Chester Brown: The outsider -- Steve Ditko: A is A -- Will Eisner and Frank Miller: The raconteurs -- Gilbert Hernandez: Spiraling into the system -- Jaime Hernandez: Mad love -- Craig Thompson and James Kochalka: Craft vs. cuteness -- Hope Larson: The cartography of joy -- Carla Speed McNeil: Shape-changing demons, birth-yurts and robot secretaries -- Alan Moore: The house of the magus -- Grant Morrison: The invisible king -- Dave Sim: Aardvark politick -- The dark mirrors of Jim Starlin's Warlock -- Tomb of Dracula: the cheap, strong stuff -- Kevin Huizenga: Visions from the enchanted gas station -- Charles Burns and Art Spiegelman: Draw yourself raw -- Why does Chris Ware hate fun? -- Alison Bechdel: Reframing memory -- Afterword: The rough wave and the smooth wave. |
| Subject |
Comic books, strips, etc. -- United States -- History and criticism.
|
| ISBN |
0306815095 (hardcover : alk. paper) |
|
9780306815096 (hardcover : alk. paper) |
| Standard No. |
AU@ 000041268104 |
|
NZ1 11241140 |
|
