| Description |
x, 236 p. : ill. ; 22 cm. |
| Bibliography |
Includes bibliographical references (p. [223]-226) and index. |
| Contents |
Note-for-note : work, performance and early notation -- Music, will, and representation -- On Hanslick's inconsistency -- Making the codes and breaking the codes : two revolutions in twentieth-century music -- Auditor's emotions : contention, concession, compromise -- Experiencing the musical emotions. |
|
Arousal theory of musical expression : rethinking the unthinkable -- Absolute music and the new musicology -- Movements and 'movements' -- Music in memory and Music in the Moment -- How to forge a musical work. |
| Subject |
Music -- Philosophy and aesthetics.
|
| ISBN |
0199246610 (pbk.) |
|
0198250835 |
|
