| Description |
1 online resource (1 score (xii, 203 pages, 6 pages of plates)) : facsimiles. |
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notated music ntm rdacontent |
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computer c rdamedia |
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online resource cr rdacarrier |
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score part rdafnm |
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alto voice 2 tenor voice 2 bass voice 2 6 lcmpt |
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violin 2 continuo lcmpt |
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soprano voice 1 alto voice 1 tenor voice 1 bass voice 1 4 lcmpt |
| Series |
Recent researches in the music of the Baroque Era ; 195 |
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Recent researches in Music Online, 2577-4573 |
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Recent researches in the music of the Baroque Era ; 195.
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Recent researches in music online. 2577-4573
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| Note |
12 trio sonatas (Symphoniae) for 2 violins and continuo, and 2 vocal canons (AATTBB and SATB). |
| Language |
Latin words in the canons; also printed separately as text with English translation. Introduction and critical commentary in English. |
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Staff notation. |
| Note |
Score and performance parts are available separately from the publisher. |
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Includes preface and critical report. |
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Figured bass in score unrealized. |
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Parts for 2 violins and violoncello. |
| Summary |
"When Giuseppe Antonio Bernabei (1649-1732) arrived in Munich in 1677, he had already won a reputation in his native Rome as an eminent keyboard player and as a composer for church, chamber, and theater, having served for five years as maestro di cappella at San Luigi dei Francesi, a focal point of Roman musical life. In Munich he went on to compose operas and church music, including motets in stile antico, which earned praise from Padre Martini for contrapuntal artistry more than forty years after Bernabei's death. In 1698, Bernabei published a set of twelve trio sonatas, Orpheus ecclesiasticus, for two violins and continuo. The delightful music does make great technical demands of the performers, but this is richly compensated for by contrapuntal craftsmanship. Thematic coherence, continuity, and long-breathed structures are essential features of Bernabei's style." -- Provided by publisher. |
| Note |
Online resource (A-R Editions, viewed October 26, 2018). |
| Bibliography |
Includes bibliographical references. |
| Contents |
Canon at the unison for six voices [Laudans invocabo Dominum] -- Symphonia no. 1 in G minor -- Symphonia no. 2 in G major -- Symphonia no. 3 in A major -- Symphonia no.4 in A Minor -- Symphonia no. 5 in C major -- Symphonia no. 6 in C minor -- Symphonia no. 7 in G major -- Symphonia no. 8 in F major -- Symphonia no. 9 in E minor -- Symphonia no. 10 in D minor -- Symphonia no. 11 in B-flat major -- Symphonia no. 12 in D major -- Canon for four voices [Deo nostro jucunda sit]. |
| Subject |
Trio sonatas (Violins (2), continuo) -- Scores and parts.
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Canons, fugues, etc. (Voices (6)) -- Scores and parts.
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Canons, fugues, etc. (Voices (4)) -- Scores and parts.
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Trio sonatas (Violins (2), continuo) -- Scores and parts
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| Genre/Form |
Canons (Music)
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Chamber music
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Parts (Music)
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Scores
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Sonatas
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Songs
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Sonatas.
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Songs.
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Chamber music.
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Canons (Music)
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Scores.
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Parts (Music)
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Sonates.
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Musique de chambre.
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Canons (Musique)
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Partitions (Musique)
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Parties (Musique)
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| Added Author |
Nordbakke, Michael Wilhelm, editor.
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Container of (work): Bernabei, Giuseppe Antonio, 1649-1732.
Orpheus ecclesiasticus.
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| Other Form: |
Print version: Bernabei, Giuseppe Antonio, 1649-1732. Orpheus ecclesiasticus. Orpheus ecclesiasticus. Middleton, Wisconsin : A-R Editions, Inc., 2017. (OCoLC)988948413 9780895798497 |
| ISBN |
9781987200324 (online) |
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1987200322 |
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9780895798497 (print) |
| Standard No. |
10.31022/B195 doi |
| Music No. |
B195 A-R Editions, Inc. (score) |
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B195P A-R Editions, Inc. (parts) |
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