Description |
1 online resource (297 pages) |
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text rdacontent |
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computer rdamedia |
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online resource rdacarrier |
Bibliography |
Includes bibliographical references and index. |
Contents |
Machine generated contents note: Acknowledgments -- Introduction. White-Noise Media Culture and the Films of Paul Thomas Anderson -- Chapter 1. I Remembered Your Face: Indie Cinema, Neo-noir, and -- Narrative Ambiguity in Hard Eight (1996) -- Chapter 2. I Dreamed I Was in a Hollywood Movie: Stars, Hyperreal Sounds of the 1970s, and Cinephiliac Pastiche in Boogie Nights (1997) -- Chapter 3. If That Was in a Movie, I Wouldn't Believe It: Melodramatic Ambivalence, Hypermasculinity, and the Autobiographical Impulse in Magnolia (1999) -- Chapter 4. The Art-House Adam Sandler Movie: Commodity Culture and the Ethereal Ephemerality of Punch-Drunk Love (2002) -- Chapter 5. I Have a Competition in Me: Political Allegory, Artistic Collaboration, and Narratives of Perfection in There Will Be Blood (2007) -- Afterword. On The Master -- Notes -- Select Bibliography -- Index. |
Note |
Description based on online resource; title from PDF title page (ebrary, viewed October 11, 2013). |
Subject |
Anderson, Paul Thomas -- Criticism and interpretation.
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Motion picture producers and directors.
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Genre/Form |
Electronic books.
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ISBN |
9780292752894 (hardback) |
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9780292752917 (electronic bk.) |
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