| Description |
xi, 241 p. : ill. ; 24 cm. |
| Series |
Cambridge studies in film |
|
Cambridge studies in film.
|
|
ACLS Humanities E-Book.
|
| Bibliography |
Includes bibliographical references (p. 231-235) and index. |
| Contents |
The returned image -- Art and film: New York City in the late 1970s: Jack Goldstein, Two fencers, Robert Longo, Cindy Sherman, Amos Poe -- Generic returns - The dream has ended: Badlands, Texas Chainsaw Massacre, The Shootist, The Last Waltz -- Re-considering the nostalgia film: American Graffiti, The Conformist, Rocky Horror Picture Show -- A return to the 1950s - the dangers in Utopia: Grease, Utopia rejected, Last Exit to Brooklyn -- Coppola and Scorsese - authorial views: Apocalypse Now, One From the Heart, The Last Temptation of Christ -- To destroy the sign: The loss of the real, Serialized forms, The return of the classical film Genres, The stalker film, The Western, The gangster/crime film. |
| Reproduction |
Electronic text and image data. Ann Arbor, Mich. : University of Michigan, Michigan Publishing, 2009. Includes both TIFF files and keyword searchable text. ([ACLS Humanities E-Book]) ([Cambridge studies in film]) Mode of access: Intranet. |
| Subject |
Nostalgia in motion pictures.
|
|
Nostalgia in art.
|
|
Art, American -- 20th century.
|
| Added Author |
American Council of Learned Societies.
|
| In: |
ACLS Humanities E-Book. URL: https://www.humanitiesebook.org/ |
| ISBN |
0521815681 |
|
0521016312 |
| Standard No. |
2027/heb07578 hdl |
|
