Includes bibliographical references (p. [171]-180) and index.
Contents
Introduction -- 1 Canonical Modernisms, Minor Modernisms, and the Cultural Politics of Fragmentation -- One. The Historicity of the Fragment: Toward a Critical Comparativism -- Two. "Completely Painted Over but Painted Full of Empty Spaces": Stein's American Allegories and the End of Progress -- Three. "Learning a Lesson in the Superficial Song Lyrics": Hsia Yu's "Underground" Poetry -- Four. "For the Other Overlapping Time": Pound's Ideogramic Universalism and Cha's Countermodernist Translation -- Conclusion. The Cultural Uses of an Interventionary Poetics.
Reproduction
Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
