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Author Wipplinger, Jonathan O., author.

Title The jazz republic : music, race, and American culture in Weimar Germany / Jonathan O. Wipplinger.

Publication Info. Ann Arbor : University of Michigan Press, [2017]

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Location Call No. OPAC Message Status
 Axe JSTOR Open Ebooks  Electronic Book    ---  Available
Description 1 online resource
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
data file
Series Social history, popular culture, and politics in Germany
Social history, popular culture, and politics in Germany.
Bibliography Includes bibliographical references and index.
Contents Jazz occupies Germany -- The aural shock of modernity -- Writing symphonies in jazz -- Syncopating the mass ornament -- Bridging the great divides -- Singing the Harlem Renaissance -- Jazz's silence.
Summary "The Jazz Republic" examines jazz music and the jazz artists who shaped Germany's exposure to this African American art form from 1919 through 1933. Jonathan O. Wipplinger explores the history of jazz in Germany as well as the roles that music, race (especially Blackness), and America played in German culture and follows the debate over jazz through the fourteen years of Germany's first democracy. He explores visiting jazz musicians including the African American Sam Wooding and the white American Paul Whiteman and how their performances were received by German critics and artists. He also engages with the meaning of jazz in debates over changing gender norms and jazz's status between paradigms of high and low culture. By looking at German translations of Langston Hughes's poetry, as well as Theodor W. Adorno's controversial rejection of jazz in light of racial persecution, Wipplinger examines how jazz came to be part of German cultural production more broadly in both the US and Germany, in the early 1930s. Using a wide array of sources from newspapers, modernist and popular journals, as well as items from the music press, this work intervenes in the debate over the German encounter with jazz by arguing that the music was no mere "symbol" of Weimar's modernism and modernity. Rather than reflecting intra-German and/or European debates, it suggests that jazz and its practitioners, African American, white American, Afro-European, German and otherwise, shaped Weimar culture in a central way
Note Print version record.
This work is licensed by Knowledge Unlatched under a Creative Commons license https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
Language In English.
Access Open Access EbpS
Subject Jazz -- Social aspects -- Germany -- History -- 20th century.
Jazz -- Germany -- 1921-1930 -- History and criticism.
Music and race -- Germany.
Germany -- Civilization -- American influences.
Jazz -- Allemagne -- 1921-1930 -- Histoire et critique.
Musique et race -- Allemagne.
MUSIC -- Ethnomusicology.
POLITICAL SCIENCE -- Public Policy -- Cultural Policy.
SOCIAL SCIENCE -- Anthropology -- Cultural.
SOCIAL SCIENCE -- Popular Culture.
Civilization -- American influences
Jazz
Jazz -- Social aspects
Music and race
Germany https://id.oclc.org/worldcat/entity/E39PBJtCD3rcKcPDx6FHmjvrbd
Chronological Term 1900-1999
Genre/Form Criticism, interpretation, etc.
History
Other Form: Print version: Wipplinger, Jonathan O. Jazz republic. Ann Arbor : University of Michigan Press, [2017] 9780472053407 (DLC) 2016046421
ISBN 9780472122660 (electronic book)
0472122665
9780472900817 (electronic bk.)
0472900811 (electronic bk.)
9780472053407 (paperback ; alkaline paper)
9780472073405 (hardcover ; alkaline paper)
047205340X
0472073400
Standard No. 10.3998/mpub.9416956
AU@ 000060404320
AU@ 000062620037
CHNEW 000978362
CHVBK 50472746X
GBVCP 1008668494

 
    
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