| Description |
xiii, 270 p. |
| Series |
Routledge studies in contemporary philosophy ; 49
|
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Introduction -- Definition. What is a screenplay? An intentional-historical formalist definition -- Defending the definition: intentionality, history, and artifact concepts -- Art status -- The historical narrative approach to identifying art: exegesis and defense -- From playwriting to screenwriting: the historical narrative -- Ontology. Objections and ontology: (I) is the screenplay an autonomous work of art? -- Instructions and artworks: musical scores, theatrical scripts, architectural plans, and screenplays -- Objections and ontology: (II) is the screenplay literature? -- Towards an ontology of the screenplay -- Appreciation. The appreciation of the screenplay as literature. |
| Reproduction |
Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. |
| Subject |
Motion picture authorship.
|
|
Motion picture plays -- History and criticism.
|
| Genre/Form |
Electronic books.
|
| Added Author |
ProQuest (Firm)
|
| ISBN |
9780415521444 (hardcover alk. paper) |
|
9780203069103 (electronic bk.) |
|
