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Title Early film culture in Hong Kong, Taiwan, and Republican China : kaleidoscopic histories / edited by Emilie Yueh-yu Yeh.

Publication Info. Ann Arbor : University of Michigan Press, 2018.


Location Call No. OPAC Message Status
 Axe JSTOR Open Ebooks  Electronic Book    ---  Available
Description 1 online resource
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
Series Book collections on Project MUSE.
Bibliography Includes bibliographical references and index.
Note Online resource; title from PDF title page (EBSCO, viewed February 21, 2018).
Contents Introduction -- Part I. Revising historiography : early film culture in Hong Kong, Taiwan, and Guangzhou -- 1. Translating Yingxi : Chinese film genealogy and early cinema in Hong Kong -- 2. Magic lantern shows and screen modernity in colonial Taiwan -- 3. From an imported novelty to an indigenized practices : Hong Kong cinema in the 1920s -- 4. Enlightenment, propaganda, and image creation : a descriptive analysis of the usage of film by the Taiwan education society and the colonial government before 1937 -- 5. 'Guangzhou Film' and Guangzhou urban culture -- 6. The way of the Platinum Dragon : Xue Juexian and the sound of politics in 1930s Cantonese cinema-- Part II. Intermediaries, cinephiles, and film literati -- 7. Toward the opposite side of 'vulgarity' the birth of cinema as a 'healthful entertainment' and the Shanghai YMCA -- 8. Movie matchmakers : the intermediatries between Hollywood and China in the early twentieth century -- 9. The silver star group : a first attempt at theorizing wenyi in the 1920s -- 10. Forming the movie field : film literati in Republican China -- 11. Rhythmic movement, metaphoric sound, and transcultural transmediality : Liu Na'ou and The man who has a camera (1933) -- Chinese and Japanese glossary.
Summary This volume features new work on cinema in early twentieth-century Hong Kong, Taiwan, and Republican China. Looking beyond relatively well-studied cities like Shanghai, these essays foreground cinema's relationship with imperialism and colonialism and emphasize the rapid development of cinema as a sociocultural institution. These essays examine where films were screened; how cinema-going as a social activity adapted from and integrated with existing social norms and practices; the extent to which Cantonese opera and other regional performance traditions were models for the development of cinematic conventions; the role foreign films played in the development of cinema as an industry in the Republican era; and much more.
Subject Motion pictures -- China -- History.
Motion pictures -- China -- Hong Kong -- History.
Motion pictures -- Taiwan -- History.
Motion picture industry -- China -- History.
Motion picture industry -- China -- Hong Kong -- History.
Motion picture industry -- Taiwan -- History.
ART -- General.
Motion picture industry. (OCoLC)fst01027150
Motion pictures. (OCoLC)fst01027285
China. (OCoLC)fst01206073
China -- Hong Kong. (OCoLC)fst01260796
Taiwan. (OCoLC)fst01207854
Genre/Form History. (OCoLC)fst01411628
Electronic books.
Electronic books.
Added Author Yeh, Emilie Yueh-yu, editor.
Other Form: Print version: 0472053728 9780472053728 (OCoLC)1019639449
ISBN 9780472123445 (electronic bk.)
0472123440 (electronic bk.)
9780472901029 (electronic bk.)
0472901028 (electronic bk.)

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