Introduction : visualizing and romancing the revolution -- The revolution as media event : documentary image and the archive -- Historicity and the archive : reconstruction and appropriation -- Pancho Villa on two sides of the border -- Avant-garde gestures and nationalist images of Mexico in Eisenstein's unfinished project -- Reconfiguring the revolution : celebrity and melodrama -- The aesthetics of spectacle -- Competing narratives and converging visions -- Conclusion : thoughts on working with the archive.
Reproduction
Electronic text and image data. Ann Arbor, Mich. : University of Michigan, Michigan Publishing, 2014. Includes both TIFF files and keyword searchable text. ([ACLS Humanities E-Book]) Mode of access: Intranet.
