Includes bibliographical references (pages 201-211) and index.
Contents
Introduction: why creole? why the novel? -- Hortus creolensis: cultivating the creole novel -- "A permanent revolution": time, history, and constructions of Africa in Cynric Williams's Hamel, the obeah man -- "Lost subjects": the specter of idleness and the work of Marly; or, a planter's life in Jamaica -- Recentering the Caribbean: revolution and the creole cosmopolis in Warner Arundell -- Conclusion: the unfinished business of early creole (historical) novels.