Includes bibliographical references (p. 229-236) and index.
Contents
Introduction : the popular not the public -- Music hall : the middle class makes a subculture -- Camp expertise : Arthur Symons, music hall, and the defense of theory -- Spies and experts : Laura Ormiston Chant among late-Victorian professionals -- Tales of the culture industry : professional women, mimic men, and Victorian music hall -- "Spectacular" bodies : tableaux vivants at the Palace Theatre -- Conclusion : Cyrene at the Alhambra.
Reproduction
Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.