| Description |
xxiii, 153 p. : ill. |
| Bibliography |
Includes bibliographical references (p. 139-145) and index. |
| Contents |
A promise always disappointing: the ethics of history in Ulay and Abramovic's The lovers -- Peoples of memory: James Luna and the production of history -- Binding to another's wound: Felix Gonzalez-Torres and Ross McElwee on weddings -- A cemetery of images: photography and witness in the work of Gilles Peress and Alfredo Jaar -- Machine memory: digital witness in Dumb Type's memorandum -- This being you must create: transgenics, witness, and selfhood in the work of Eduardo Kac and Christine Borland -- The shame of biological being: microbiology and theories of subjectivity in a project by Ann Hamilton and Ben Rubin. |
| Reproduction |
Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. |
| Subject |
Subjectivity in art.
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Reality in art.
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Visual communication in art.
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Art, Modern -- 21st century.
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| Genre/Form |
Electronic books.
|
| Added Author |
ProQuest (Firm)
|
| ISBN |
9780816654765 (hc : alk. paper) |
|
081665476X (hc : alk. paper) |
|
9780816654772 (pb : alk. paper) |
|
0816654778 (pb : alk. paper) |
|
