| Description |
xxxiv, 249 p. : ill. |
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Why was the Globe round? / Andrew Gurr -- Guarded, unguarded, and unguardable speech in late Renaissance drama / James Hirsh -- Hearing complexity : speech, reticence, and the construction of character / Walter W. Cannon -- If this be worth your hearing : theorizing gossip on Shakespeare's stage / Jennifer Holl -- Mimetic hearing and meta-hearing in Hamlet / David Bevington -- Hearing and overhearing in The tempest / David Bevington -- Asides and multiple audiences in The merchant of Venice / Anthony Burton -- And now behold the meaning : audience, interpretation, and translation in All's well that ends well and Henry V / Kathleen Kalpin Smith -- Hearing power in Measure for measure / Bernice W. Kliman -- Hark, a word in your ear : whispers, asides, and interpretation in Troilus and Cressida / Nova Myhill -- Mutes or audience to this act : eavesdroppers in Branagh's Shakespeare films / Philippa Sheppard -- Overhearing Malvolio for pleasure or pity : the letter scene and the dark house scene in Twelfth night on stage and screen / Gayle Gaskill -- But mark his gesture : hearing and seeing in Othello's eavesdropping scene / Erin Minear. |
| Reproduction |
Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. |
| Subject |
Shakespeare, William, 1564-1616 -- Dramatic production.
|
|
Shakespeare, William, 1564-1616 -- Film adaptations.
|
|
Speech in literature.
|
|
Listening in literature.
|
|
Voice in literature.
|
|
Oral communication in literature.
|
| Genre/Form |
Electronic books.
|
| Added Author |
Magnus, Laury.
|
|
Cannon, Walter W., 1945-
|
|
ProQuest (Firm)
|
| ISBN |
9781611474749 (alk. paper) |
|
9781611474756 (electronic bk.) |
|
