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Printed Score

Title Three masses from Vienna : a capella masses / by Georg Christoph Wagenseil, Georg Reutter and Leopold Hofmann; edited by Jen-yen Chen.

Publication Info. Middleton, Wisconsin : A-R Editions, Inc., 2019.
©2004

Copies

Location Call No. OPAC Message Status
 AR Researches in Music Score  Electronic Score    ---  Available
Description 1 online resource (1 score (xi, 95 pages, 4 pages of plates)) : facsimiles + 1 set of 2 parts.
notated music ntm rdacontent
computer c rdamedia
online resource cr rdacarrier
Series Recent researches in the music of the Classical Era ; 71
Recent researches in Music Online, 2577-4573
Recent researches in the music of the Classical Era ; 71.
Recent researches in music online. 2577-4573
Note The first work for SATB a cappela; the second and third works for SATB and unrealized continuo; parts included for violin and violoncello.
Language Latin words; introduction and critical report in English.
Note Edited from manuscripts in the Österreichische Nationalbibliothek, Vienna (Mus. Hs. 16431, H.K. 785, Mus. Hs. 18717).
Score and performance parts are available separately from the publisher.
Editorial and historical notes on pages vii-xi; critical notes on pages 93-95.
Summary "This volume presents three examples of the rich a cappella tradition of eighteenth-century Vienna. Masses by Georg Christoph Wagenseil (1715-77), Georg Reutter (1708-72), and Leopold Hofmann (1738-93) offer insights into the continuing significance of vocal polyphony in an age when instrumental music enjoyed increasing prestige. Indeed, two of these composers, Wagenseil and Hofmann, were well known as leading representatives of emergent instrumental genres such as the symphony and the concerto. Their important contributions to a preeminently vocal idiom underscore the close relationship between vocal and instrumental styles at this time. The widespread use of the pedagogical method codified in Johann Joseph Fux's Gradus ad Parnassum (1725) demonstrates that the precepts of the stile antico had relevance generally for all composers of the period--not only adherents of antiquarianism. A cappella compositions thus embody a complex and fascinating tension between old and new, conservative and progressive. Performance parts for the basso continuo instruments are derived from the performance practices outlined in the introduction to the edition. The part set provides both violoncello and violone parts for the Reutter mass and a violone part for the Hofmann mass." -- Provided by publisher.
Note Online resource (A-R Editions, viewed June 25, 2019).
Bibliography Includes bibliographical references.
Contents Missa a quattro da capella / Georg Christoph Wagenseil -- Messa a quattro da capella / Georg Reutter -- Missa alla capella / Leopold Hofmann.
Subject Masses -- Austria -- Vienna -- 18th century -- Scores and parts.
Messes -- Autriche -- Vienne -- 18e siècle -- Partitions et parties.
Austria -- Vienna https://id.oclc.org/worldcat/entity/E39PBJx4pkFCgX7gBJ7hFTB773
Chronological Term 1700-1799
Genre/Form Masses
Parts (Music)
Scores
Masses.
Scores.
Parts (Music)
Messes.
Partitions (Musique)
Parties (Musique)
Added Author Chen, Jen-yen, editor.
Container of (work): Hofmann, Leopold, 1738-1793. Masses, mixed voices, continuo, C major.
Container of (work): Reutter, Georg, 1708-1772. Masses, mixed voices, continuo, F major (1744)
Container of (work): Wagenseil, Georg Christoph, 1715-1777. Masses, mixed voices, G.
Other Form: Print version: Three masses from Vienna. Middleton, Wisconsin : A-R Editions, Inc., 2004. (OCoLC)156876988 9780895795533
ISBN 9781987202694 (online)
1987202694
9780895795533 (print)
Standard No. 10.31022/C071 doi
Music No. C071 A-R Editions, Inc. (score)
C071P A-R Editions, Inc. (parts)

 
    
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