Includes bibliographical references (p. 177-185) and index.
Contents
Edith Wharton and the iconography of war propaganda -- Mapping the female observer in A hilltop on the Marne -- A stricken field and the field of vision : Fascism, gender, and the specular -- Vision, violence, and Vogue : war and correspondence in Lee Miller's photography -- Visual disturbances in an expanded field : H.D. and the blitz -- Occupation and observer : Gertrude Stein in Vichy France.
