| Description |
1 online resource |
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text txt rdacontent |
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computer c rdamedia |
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online resource cr rdacarrier |
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data file |
| Bibliography |
Includes bibliographical references and index. |
| Note |
Print version record and CIP data provided by publisher. |
| Contents |
The economic vitamins of Cuba : sacred and other dance performances / Yvonne Daniel -- Performing pentecostalism : music, identity, and the interplay of Jamaican and African American styles / Melvin L. Butler -- "The women have on all their clothes" : reading the texts of holy hip-hop / Deborah Smith Pollard -- Rhythmic remembrances / Yvonne Daniel -- Citizenship and dance in urban Brazil : Grupo Corpo, a case study / Lucía M. Suárez -- Muscle/memories : how Germaine Acogny and Diane McIntyre put their feet down / Susan Leigh Foster -- "To carry the dance of the people beyond" : Jean Léon Destiné, Lavinia Williams, and Danse Folklorique Haďtienne / Millery Polyné -- Motherland hip-hop : connective marginality and African American youth culture in Senegal and Kenya / Halifu Osumare -- New York bomba : Puerto Ricans, Dominicans, and a bridge called Haiti / Raquel Z. Rivera -- Talking drums : soca and go-go music as grassroots identity movements / Deidre R. Gantt -- Warriors of the world : rapso in Trinidad's festival culture / Patricia van Leeuwaarde Moonsammy -- Timba Brava : Maroon music in Cuba / Umi Vaughan -- Salsa memory : revisiting Grupo Folklórico y experimental nuevayorquino / Juan Flores and René López -- Performing memories : the atlantic theater of cultural production and exchange / Carrol Smith-Rosenberg. |
| Access |
Open Access EbpS |
| Summary |
Along with linked modes of religiosity, music and dance have long occupied a central position in the ways in which Atlantic peoples have enacted, made sense of, and responded to their encounters with each other. This unique collection of essays connects nations from across the Atlantic---Senegal, Kenya, Trinidad, Cuba, Brazil, and the United States, among others---highlighting contemporary popular, folkloric, and religious music and dance. By tracking the continuous reframing, revision, and erasure of aural, oral, and corporeal traces, the contributors to Rhythms of the Afro-Atlantic World collectively argue that music and dance are the living evidence of a constant (re)composition and (re)mixing of local sounds and gestures. |
| Note |
This work is licensed under a Creative Commons license https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode |
| Subject |
Black people -- Caribbean Area -- Music -- History and criticism.
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Dance -- Caribbean Area -- History.
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Hip-hop -- Africa.
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Popular music -- Caribbean Area -- History and criticism.
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Danse -- Caraďbes (Région) -- Histoire.
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Hip-hop -- Afrique.
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Musique populaire -- Caraďbes (Région) -- Histoire et critique.
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MUSIC -- Ethnomusicology.
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HISTORY -- Africa -- West.
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Black people -- Music
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Dance
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Hip-hop
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Popular music
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Africa https://id.oclc.org/worldcat/entity/E39PBJkHrMyfHC67yqRTycbrv3
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Caribbean Area
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| Genre/Form |
Criticism, interpretation, etc.
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History
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| Added Author |
Diouf, Mamadou.
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Nwankwo, Ifeoma Kiddoe.
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| Other Form: |
Print version: Rhythms of the Afro-Atlantic world. Ann Arbor : University of Michigan Press, ©2010 9780472070961 (DLC) 2010004464 |
| ISBN |
9780472027477 (ebook) |
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0472027476 |
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9780472901203 (electronic bk.) |
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0472901206 (electronic bk.) |
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0472050966 (acid-free paper) |
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0472070967 (acid-free paper) |
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9780472050963 (acid-free paper) |
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9780472070961 (acid-free paper) |
| Standard No. |
10.3998/mpub.317074 |
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AU@ 000051408879 |
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AU@ 000051621336 |
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AU@ 000066532956 |
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CHNEW 001035534 |
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CHVBK 556239962 |
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DEBBG BV043083512 |
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DEBBG BV044115264 |
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DEBSZ 421649216 |
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HEBIS 286049198 |
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NZ1 14168933 |
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