| Description |
1 online resource (206 pages) |
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text txt rdacontent |
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computer c rdamedia |
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online resource cr rdacarrier |
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data file |
| Series |
Theater: theory/text/performance |
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Theater--theory/text/performance.
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| Bibliography |
Includes bibliographical references and index. |
| Note |
Print version record. |
| Contents |
Theatre and communism after Athens -- Of work and time -- All theatre, all the time -- Of work, time, and revolution -- Of work, time, and (telephone) conversation -- Solitude in relation. |
| Summary |
This book tells a new story about modern theater: the story of a romantic attachment to theater's potential to produce surprising experiences of human community. It begins with one of the first great plays of modern European theater - Chekhov's Uncle Vanya in Moscow - and then crosses the 20th and 21st centuries to look at how its story plays out in Weimar Republic Berlin, in the Paris of the 1960s, and in a spectrum of contemporary performance in Europe and the United States. This is a work of historical materialist theater scholarship, which combines a materialism grounded in a socialist tradition of cultural studies with some of the insights developed in recent times by theorists of affect, and addresses some fundamental questions about the social function and political potential of theater within modern capitalism. This book argues that theater in modern capitalism can help us think afresh about notions of work, time, and freedom. Its title concept is a theoretical and historical figure, someone whose work in theater is undertaken within capitalism, but motivated by a love that desires something different. In addition to its theoretical originality, it offers a significant new reading of a major Chekhov play, the most sustained scholarly engagement to date with Benjamin's "Program for a Proletarian Children's Theatre," the first major consideration of Godard's La chinoise as a "theatrical" work, and the first chapter-length discussion of the work of The Nature Theatre of Oklahoma, an American company rapidly gaining a profile in the European theater scene. This work contributes to the development of theater and performance studies in a way that moves beyond debates over the differences between theater and performance in order to tell a powerful, historically grounded story about what theater and performance are for in the modern world |
| Note |
This work is licensed by Knowledge Unlatched under a Creative Commons license http://creativecommons.org/licenses/by-nc-nd/4.0 |
| Language |
English. |
| Access |
Open Access EbpS |
| Subject |
Theater and society.
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Communism and culture.
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Théâtre et société.
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Communisme et culture.
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The arts.
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Theatre studies.
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PERFORMING ARTS -- Theater -- General.
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PERFORMING ARTS -- Theater -- History & Criticism.
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Communism and culture
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Theater and society
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| Indexed Term |
literature. |
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theatre studies. |
| In: |
Knowledge Unlatched |
| Other Form: |
Print version: Passionate amateurs. Ann Arbor : The University of Michigan Press, [2013] 9780472119073 (DLC) 2013015596 |
| ISBN |
9780472029594 (e-book) |
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0472029592 |
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9781306081597 (electronic bk.) |
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1306081599 (electronic bk.) |
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9780472900008 (electronic bk.) |
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0472900005 (electronic bk.) |
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9780472119073 (cloth ; alk. paper) |
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0472119079 (cloth ; alk. paper) |
| Standard No. |
10.3998/mpub.4537117 doi |
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469366 |
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AU@ 000052921325 |
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AU@ 000058146454 |
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AU@ 000060582077 |
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DEBBG BV044052215 |
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GBVCP 1008659991 |
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GBVCP 1030560218 |
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NLGGC 37290128X |
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NZ1 15500153 |
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NZ1 16094965 |
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