Introduction : The politics and aesthetics of Mtissage -- Part I. Rereading the past -- Augustine's Confessions : poetics of harmony, or the ideal reader in the text -- Silence and circularity in Ecce Homo : "Und so e˜rzhle ich mir mein Leben" -- Part II. Creating a tradition -- Autoethnography : the an-archic style of dust tracks on a road -- Con artists and storytellers : Maya Angelou's problematic sense of audience -- Happiness deferred : Maryse Con's Heremakhonon and the failure of enunciation -- Privileged difference and the possibility of emancipation : the words to say it and A l'autre bout de moi -- Anamnesis and utopia : self-portrait of the web maker in A l'autre bout de moi -- Conclusion.
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