Description |
1 online resource |
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text txt rdacontent |
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computer c rdamedia |
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online resource cr rdacarrier |
Series |
Film culture in transition, 2213-7041 |
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IKKM books ; volume 25 |
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Film culture in transition.
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Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ; v. 25.
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Note |
Print version record. |
Summary |
"This book brings together two major filmmakers-French New Wave master Jean-Luc Godard and German avant-gardist Harun Farocki-to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create 'film as theory'"--Back cover |
Contents |
Cover -- Contents -- Preface to the English Edition -- Introduction -- Two Image Researchers -- 1. Le film qui pense -- Image, Theory, Practice -- Film as a "Concrete Medium" -- Film Theories / Film as Theory -- Difference and Theory -- Montage and Cinematic Thinking -- 2. The Camera as Brush-Film and Painting -- Narrating with Images: Breathless -- Exploding the Museum: Pierrot le fou -- Arranging Things: Still Life -- Processing Images: Passion -- 3. Deviation as Norm-Notes on the Essay Film -- 4. Cut-Interlude in the Editing Room |
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What an Editing Room is: InterfaceMontage, toujours: JLG/JLG -- 5. Taking pictures-Photography and Film -- Displacing: The Carabineers -- Rendering: Before Your Eyes Vietnam -- Surveying: Images of the World and the Inscription of War -- 6. Two or Three Ways of Speaking with the Hands -- Asking Oneself: La Chinoise / Vent d'est -- Offering Oneself: Nouvelle vague -- Expressing Oneself: Georg K. Glaser / The Expression of Hands -- Conclusion -- Bibliography -- Acknowledgments -- Illustration Credits -- Index of Film Titles -- Index of Names |
Language |
English. |
Bibliography |
Includes bibliographical references and index. |
Access |
Open Access EbpS |
Subject |
Farocki, Harun.
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Godard, Jean-Luc, 1930-2022.
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Farocki, Harun -- Criticism and interpretation.
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Godard, Jean-Luc, 1930- -- Criticism and interpretation.
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Farocki, Harun https://id.oclc.org/worldcat/entity/E39PBJxxdWWpRc9qgYTVTbrg8C
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Godard, Jean-Luc, 1930-2022 https://id.oclc.org/worldcat/entity/E39PBJvRXHYWjFKvvJKWgBhyh3
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Farocki, Harun 1944-2014
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Godard, Jean-Luc 1930-2022
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Bibel Philemonbrief
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Motion picture producers and directors.
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Producteurs et réalisateurs de cinéma.
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filmmakers.
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Film theory and criticism.
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Film, TV and radio.
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Films, cinema.
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The arts.
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ART -- General.
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PERFORMING ARTS -- Reference.
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Motion picture producers and directors
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Filmästhetik
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Indexed Term |
essay film. |
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harun farocki. |
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film theory. |
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jean-luc godard. |
Genre/Form |
Electronic books.
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Electronic books.
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ISBN |
9048527554 (electronic bk.) |
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9789048527557 (electronic bk.) |
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9789089648914 |
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9089648917 |
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9089648917 |
Standard No. |
10.5117/9789089648914 doi |
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AU@ 000056951224 |
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CHBIS 011180049 |
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CHVBK 512620105 |
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DEBSZ 484749374 |
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GBVCP 865796262 |
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GBVCP 869971697 |
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NZ1 16238039 |
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