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Author Walker, Michael.

Title Hitchcock's motifs / Michael Walker.

Imprint Amsterdam : Amsterdam University Press, 2005.

Copies

Location Call No. OPAC Message Status
 Axe JSTOR Open Ebooks  Electronic Book    ---  Available
Description 1 online resource (490 pages) : illustrations.
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
data file rda
Series Film culture in transition
Film culture in transition.
Bibliography Includes bibliographical references (pages 421-429), filmography (p. 431-462) , and index.
Contents Part I. Hitchcock, Motifs and Melodrama. Introduction -- Three motifs. Home movies -- Cigarette case/lighter -- Milk -- Melodrama and Hitchcock's motifs -- An elaborated motif: the Bed Scene in Rebecca and Marnie -- A melodramatic motif: hands -- Diagrammatic representations -- Overview of the key motifs -- Part II. The Key Motifs. BED SCENE -- Couples and beds -- Beds and the police -- BLONDES AND BRUNETTES -- CAMEO APPEARANCES -- Cameos and the police -- CHILDREN -- Children's cameos -- Family members -- Children and violence -- Children and the police -- CONFINED SPACES -- Bathrooms and washrooms -- Confinement and concealment -- Cages and bars: fears of imprisonment -- Washrooms and the police -- THE CORPSE -- The heroines -- The heroes -- The villains -- Corpses and the police -- DOGS AND CATS -- Dogs and the police -- DOUBLES -- Doubles and the police -- ENDINGS AND THE POLICE -- ENTRY THROUGH A WINDOW -- Entry through a window and the police -- EXHIBITIONISM / VOYEURISM / THE LOOK -- EXHIBITIONISM / VOYEURISM -- SPY FILMS / THE LOOK -- Exhibitionism, voyeurism and the police -- FOOD AND MEALS -- Food and marriage -- Food and sex -- Food and murder -- Food and guilt -- Chickens and eggs -- Table talk and fascism -- Food and the police -- GUILTAND CONFESSION -- Catholic overtones -- Guilt and Hitchcock's villains -- Transference of guilt -- Guilt, confession and the police -- HANDCUFFS AND BONDAGE -- HANDS -- Male hands/female hands -- Held wrists -- Damaged hands -- Holding hands -- Hands and the police -- HEIGHTS AND FALLING -- Heights, falling and the police -- HOMOSEXUALITY -- Critical positions -- Gay undercurrents -- Espionage and the look -- Ivor Novello -- Homosexuality and the police -- JEWELLERY -- Greed -- Status -- Female desire -- Female beauty/male power -- Male murderousness -- Jewellery and the police -- KEYS AND HANDBAGS -- KEYS -- Keys and handbags -- HANDBAGS -- Handbags and keys -- Keys, handbags and the police -- LIGHT(S) -- Vampires and blinding -- Murder and homosexuality -- Lights and the police -- THE MACGUFFIN -- The MacGuffin and the police -- MOTHERS AND HOUSES -- Mothers and the police -- PORTRAITS, PAINTINGS AND PAINTERS -- PORTRAITS -- PAINTINGS -- Modern art -- PAINTERS -- Portraits, paintings and the police -- PUBLIC DISTURBANCES -- Public disturbances and the police -- SPECTACLES -- Spectacles and the police -- STAIRCASES -- Hitchcockian levels -- Political variations -- Sinister staircases -- Freudian overtones -- Couples and staircases -- Staircases and the police -- TRAINS AND BOATS / PLANES AND BUSES -- TRAINS -- BOATS -- PLANES -- BUSES -- Trains and boats and the police -- WATER AND RAIN -- WATER -- RAIN -- Water and the police -- Appendix I: TV Episodes. BED SCENE -- CHILDREN -- CONFINED SPACES -- THE CORPSE -- DOUBLES -- FOOD AND MURDER / ENDINGS AND THE POLICE -- LIGHTS -- BOATS -- Appendix II: Articles on Hitchcock's motifs -- Appendix III: Definitions. Diegesis -- Point-of-view editing.
Summary Hitchcock's work through his recurring motifs.
Note Print version record.
Language English.
Access This work is licensed under the following Creative Commons License: Attribution-NonCommercial 3.0 Unported (CC BY-NC 3.0).
Use copy Restrictions unspecified star MiAaHDL
Reproduction Electronic reproduction. [Place of publication not identified]: HathiTrust Digital Library. 2024. MiAaHDL
System Details Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL
Processing Action digitized 2024. HathiTrust Digital Library committed to preserve pda MiAaHDL
Subject Hitchcock, Alfred, 1899-1980 -- Criticism and interpretation.
Hitchcock, Alfred, 1899-1980 https://id.oclc.org/worldcat/entity/E39PBJwRV83CYGMBFP7BThRkDq
Hitchcock, Alfred 1899-1980
Hitchcock, Alfred, 1899-1980 -- Themes, motives.
Motion pictures -- Plots, themes, etc.
Cinéma -- Intrigues, thèmes, etc.
The arts.
Film, TV and radio.
Films, cinema.
Individual film directors, film-makers.
PERFORMING ARTS -- Film & Video -- Direction & Production.
PERFORMING ARTS -- Film & Video -- General.
Motion pictures -- Plots, themes, etc.
Music, Dance, Drama & Film.
Film.
Indexed Term Multi-User.
Genre/Form Criticism, interpretation, etc.
In: Books at JSTOR: Open Access JSTOR
OAPEN (Open Access Publishing in European Networks) OAPEN
Other Form: Print version: Walker, Michael. Hitchcock's motifs. Amsterdam : Amsterdam University Press, 2005 9053567720 9053567739 (OCoLC)62768303
ISBN 1423746295 (electronic bk.)
9781423746294 (electronic bk.)
9789048505456 (electronic bk.)
9048505453 (electronic bk.)
9789053567722
9053567720
9789053567739
9053567739
1280958162
9781280958168
9786610958160
6610958165
9790000000000
Standard No. 340200
10.1515/9789048505456 doi
AU@ 000048782641
AU@ 000051328185
AU@ 000053226272
AU@ 000058164887
AU@ 000060050369
DEBBG BV043066581
DEBBG BV044133663
DEBSZ 422302929
GBVCP 1003572871
NZ1 12033463
NZ1 14939697

 
    
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