Kids Library Home

Welcome to the Kids' Library!

Search for books, movies, music, magazines, and more.

     
Available items only
Printed Score
Author Isnardi, Paolo, 1536-1596, composer.

Uniform Title Lamentationes Hieremiae prophetae
Title Lamentations : Lamentationes Hieremiae (Venice, 1572) ; Lamentationes et benedictus (Venice, 1584) / Paolo Isnardi ; edited by Tobias Rimek.

Publication Info. Middleton, Wisconsin : A-R Editions, Inc., 2019.
©2009

Copies

Location Call No. OPAC Message Status
 AR Researches in Music Score  Electronic Score    ---  Available
Description 1 online resource (1 score (xix, 113 pages, 6 pages of plates)) : facsimiles.
notated music ntm rdacontent
computer c rdamedia
online resource cr rdacarrier
Series Recent researches in the music of the Renaissance ; 152
Recent researches in Music Online, 2577-4573
Recent researches in the music of the Renaissance ; 152.
Recent researches in music online. 2577-4573
Note For SATTB and SATB, respectively.
Language Latin words, also printed as texts with English translations on pages xiii-xix.
Note Includes introduction and critical report.
Summary "Few details about the life of Paolo Isnardi (ca. 1536-96), once maestro di cappella at Ferrara Cathedral, are known today, but his surviving compositions attest to his significant compositional skill. His Lamentationes Hieremiae prophetae (1572) and Lamentationes et benedictus (1584) are among the first prints from northern Italy to contain all nine lessons of the Triduum sacrum and combine them into a cycle by musical means. They were published even before the lamentations composed by Victoria (1585), Lasso (1586), Palestrina (1588), Ingegneri (1588), and Dentice (1592), and thus these compositions, which are much better known today, can hardly have been models for Isnardi's works. Isnardi's settings are especially unique in their selection and arrangement of verses, which deviate strongly from the Tridentine standard. In fact, no similar choice of verses can be found in any Lamentations setting from the period between 1550 and 1600. The musical settings feature several expressive techniques, including fauxbourdon, fleeting chromaticism, and the use of the plagal cadence as a structural device." -- Provided by publisher.
Note Online resource (A-R Editions, viewed April 10, 2019).
Bibliography Includes bibliographical references.
Contents Lamentationes Hieremiae prophetae (Venice, 1572) -- Lamentationes et benedictus (Venice, 1584).
Subject Lamentations of Jeremiah (Music) -- Scores.
Choruses, Sacred (Mixed voices, 5 parts), Unaccompanied -- Scores.
Choruses, Sacred (Mixed voices, 4 parts), Unaccompanied -- Scores.
Lamentations de Jérémie (Musique) -- Partitions.
Chœurs sacrés (Voix mixtes, 4 voix) a cappella -- Partitions.
Genre/Form Scores
Scores.
Partitions (Musique)
Added Author Rimek, Tobias, editor.
Container of (expression): Isnardi, Paolo, 1536-1596. Lamentationes et benedictus.
Other Form: Print version: Isnardi, Paolo, 1536-1596. Lamentationes Hieremiae prophetae. Lamentations Middleton, Wisconsin : A-R Editions, Inc., 2009 (OCoLC)436449651 9780895796646
ISBN 9781987201673 (online)
1987201671
9780895796646 (print)
Standard No. 10.31022/R152 doi
Music No. R152 A-R Editions, Inc.

 
    
Available items only