| Description |
1 online resource (270 pages) : illustrations |
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text txt rdacontent |
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computer c rdamedia |
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online resource cr rdacarrier |
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data file rda |
| Series |
MediaMatters |
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MediaMatters.
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| Note |
Selected papers presented at the conference "The Anatomical Theatre Revisited" in 2006. |
| Bibliography |
Includes bibliographical references and index. |
| Summary |
Anatomy Live demonstrates how the implications of the history of anatomical theatre can be seen at work in the appearance of dancing and acting bodies on stage. |
| Note |
Print version record. |
| Contents |
Prologue : men with glass bodies -- Introduction -- Performance documentation 1 : Holoman; Digital cadaver -- Digital cadavers and virtual dissection -- 'Who were you?' : the visible and the visceral -- Performance documentation 2 : excavations : fresh but rotten -- The anatomy lesson of Professor Moxham -- 'Be not faithless but believing' : illusion and doubt in the anatomy theatre -- Performance documentation 3 : De Anatomische Les -- Of dissection and technologies of culture in actor training programs : an example from 1960s West Germany -- Ocular anatomy, chiasm, and theatre architecture as a material phenomenology in early modern Europe -- Performance documentation 4 : Camillo ; Memo 4.0 : the cabinet of memories ; A tear donnor session -- Martin, Massumi, and the matrix -- Performance documentation 5 : sensing presence no. 1 : performing a hyperlink system -- 'Where are you now?': locating the body in contemporary performance -- Performance documentation 6 : Under my skin -- Anatomies of live art -- Performance documentation 7 : Crash -- Restaging the monstrous -- Delirium of the flesh : 'all the dead voices' in the space of the now -- Performance documentation 8 : Körper -- Operating theatres : body-bits and a post-apartheid aesthetics. |
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Acknowledgements; Prologue Men with Glass Bodies; Introduction; Performance Documentation 1: Holoman; Digital Cadaver; Digital Cadavers and Virtual Dissection; 'Who Were You?': The Visible and the Visceral; Performance Documentation 2: Excavations : Fresh but Rotten; The Anatomy Lesson of Professor Moxham; 'Be not faithless but believing': Illusion and Doubt in the Anatomy Theatre; Performance Documentation 3: De Anatomische Les; Of Dissection and Technologies of Culture in Actor Training Programs -- an Example from 1960s West Germany. |
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Ocular Anatomy, Chiasm, and Theatre Architecture as a Material Phenomenologyin Early Modern EuropePerformance Documentation 4: Camillo -- Memo 4.0: The Cabinet of Memories -- A Tear Donnor Session; Martin, Massumi, and The Matrix; Performance Documentation 5: sensing presence no. 1: performing a hyperlink system; 'Where Are You Now?': Locating the Body in Contemporary Performance; Performance Documentation 6: Under My Skin; Anatomies of Live Art; Performance Documentation 7: Crash; Restaging the Monstrous; Delirium of the Flesh: 'All the Dead Voices' in the Space of the Now. |
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Performance Documentation 8: KörperOperating Theatres: Body-bits and a Post-apartheid Aesthetics; Index. |
| Language |
English. |
| Subject |
Performance art -- Congresses.
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Theater -- History -- Congresses.
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Theater -- Philosophy -- Congresses.
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Théâtre -- Histoire -- Congrès.
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Mathematics and science.
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Science: general issues.
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ART -- Reference.
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ART -- Performance.
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PERFORMING ARTS -- Film & Video -- General.
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Performance art
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Theater
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Theater -- Philosophy
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| Indexed Term |
Popular science |
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Wetenschap algemeen |
| Genre/Form |
proceedings (reports)
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Conference papers and proceedings
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History
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Conference papers and proceedings.
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Actes de congrès.
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| Added Author |
Bleeker, Maaike.
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| Other Form: |
Print version: 9789053565162 |
| ISBN |
9789048501229 (electronic bk.) |
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9048501229 (electronic bk.) |
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9789053565162 (pdf) |
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9053565167 (pdf) |
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9053565167 |
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9789053565162 |
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1282171259 |
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9781282171251 |
| Standard No. |
AU@ 000051315238 |
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AU@ 000061961803 |
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CDX 10468005 |
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DEBBG BV043118850 |
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DEBBG BV044138039 |
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DEBSZ 421967641 |
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GBVCP 1003609732 |
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NLGGC 380952084 |
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NZ1 14241922 |
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DKDLA 820120-katalog:999909533905765 |
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