Includes bibliographical references (pages 291-308) and index.
Contents
Introduction -- Early theories of the sound film -- Theories of the classical sound film : grammars and typologies -- Language, semiotics, and Deleuze -- Neoformalism and four models of the soundtrack -- Narratology and the soundtrack -- Critical theory and the soundtrack -- Psychoanalysis, apparatus theory, and subjectivity -- Theories of the digital soundtrack.
