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Author Quaranta, Chiara, author.

Title Iconoclasm in European cinema : the ethics and aesthetics of image destruction / Chiara Quaranta.

Publication Info. Edinburgh : Edinburgh University Press, 2023.

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Location Call No. OPAC Message Status
 Axe JSTOR Open Ebooks  Electronic Book    ---  Available
Description 1 online resource (ix, 232 pages) : illustrations (black and white).
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
Bibliography Includes bibliographical references and index.
Access Open Access EbpS
Note Print version record.
Summary The first full-length study on iconoclasm and cinema, bringing together ancient philosophy, medieval theology and contemporary film and image theory. Offers a new, interdisciplinary approach to film ethics by looking at anti-mimetic images and sounds. Investigates the relationship between a disruptive aesthetics and its ethical potential, establishing a dialogue between the philosophical distrust in visual images and the breaking of mimesis in cinema. Explores the dichotomy between two types of images fundamental for philosophical and Christian iconoclasm - the eikn and eidlon -, tracing a thread from Plato's philosophy up to contemporary films. Exploring anti-mimesis and image destruction in Western European films, Iconoclasm in European Cinema: The Ethics and Aesthetics of Image Destruction offers the first comprehensive study of philosophical iconoclasm in the cinema. Drawing on continental philosophy of the image, medieval theology and recent developments in film ethics, it investigates the aesthetic and ethical significance of destroying certain film images, both literally (via damages to the filmstrip) and metaphorically (through blank screens, altered motion and disruptive sounds). Analysing the work of various filmmakers, the book considers iconoclastic gestures against the film image's ability to mimetically represent contents on the verge of the invisible and the ineffable. This book demonstrates that the overlooked issue of iconoclasm in film is essential for understanding contemporary attitudes towards images and argues that cinematic iconoclasm can encourage an ethics of (in)visibility by questioning the limits of our right to see and show something on a screen.
Subject Iconoclasm in motion pictures.
Motion pictures -- Europe -- History.
Iconoclasm -- Moral and ethical aspects.
Motion pictures -- Moral and ethical aspects.
Iconoclasme -- Aspect moral.
Cinéma -- Aspect moral.
PERFORMING ARTS / Film / Direction & Production
Motion pictures
Motion pictures -- Moral and ethical aspects
Europe
Genre/Form Criticism, interpretation, etc.
Other Form: Print version: Quaranta, Chiara. Iconoclasm in European cinema. Edinburgh : Edinburgh University Press, 2023 1474494455 (OCoLC)1377595904
ISBN 9781474494472 (electronic bk.)
1474494471 (electronic bk.)
1474494455
9781474494458

 
    
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