Includes bibliographical references (pages 175-206) and index.
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Contents
From Mikhail Bakhit to Maryse Condé : the problems of literary polyphony -- Edward Said and Assia Djebar : Counterpoint and the practice of comparative literature -- Glenn Gould and the birth of the author : variation and performance in Nancy Huston's Les variations Goldberg -- Opera and the limits of representation in J.M. Coetzee's Disgrace.
Summary
A pioneering, interdisciplinary study of how transnational novelists and critics use music as a critical device to structure narrative and to model ethical relations.
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This work is licensed under a Creative Commons license https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
