Kids Library Home

Welcome to the Kids' Library!

Search for books, movies, music, magazines, and more.

     
Available items only
Record 18 of 21
Previous Record Next Record
Print Material
Author Carroll, Noël, 1947-

Title Theorizing the moving image / Noël Carroll.

Publication Info. Cambridge ; New York : Cambridge University Press, 1996.

Copies

Location Call No. OPAC Message Status
 Axe 2nd Floor Stacks  791.4301 C236t 1996    ---  Available
Description xix, 426 pages ; 26 cm
text txt rdacontent
unmediated n rdamedia
volume nc rdacarrier
Series Cambridge studies in film
Cambridge studies in film.
Bibliography Includes bibliographical references and index.
Contents Part I. Questioning Media: -- 1. Medium specificity arguments and the self-consciously invented arts -- 2. The specificity of media in the arts -- 3. Concerning uniqueness claims for photographic and cinematographic representation -- 4. Defining the moving image -- Part II. Popular Film and TV: -- 5. The power of movies -- 6. Toward a theory of film suspense -- 7. As the dial turns: notes on soap operas -- 8. Toward a theory of point of view editing -- 9. Notes on movie music -- 10. Notes on the sight gag -- Part III. Avant-garde and Documentary Film: -- 11. Avant-garde film and film theory -- 12. Causation, the amplification of movement and the avant-garde film -- 13. Language and cinema: preliminary notes for a theory of verbal images -- 14. A note on film metaphor -- 15. From real to reel: entangled in non-fiction film -- 16. Reply to Carol Browson and Jack C. Wolf -- Part IV. Ideology: -- 17. The image of women in film: a defense of a paradigm -- 18. Film, rhetoric and ideology -- Part V. The History of Film Theory: -- 19. Film /mind analogies: the case of Hugo Munsterberg -- 20. Hans Richter's Struggle for Film -- 21. A brief note on Frampton's notion of metahistory -- Part VI. Polemical Exchanges: -- 22. Cognitivism, contemporary film theory and method -- 23. Cracks in the acoustic mirror -- 24. A reply to Heath -- 25. Replies to Jennifer Hammett and Richard Allen -- Part VII. False Starts: -- 26. Film history and film theory -- 27. Art, film and ideology -- 28. Toward a theory of film editing.
Subject Motion pictures -- Philosophy.
Television -- Philosophy.
Television broadcasting -- Philosophy.
Motion pictures -- Philosophy. (OCoLC)fst01027348
Television broadcasting -- Philosophy. (OCoLC)fst01146755
Television -- Philosophy. (OCoLC)fst01146581
ISBN 0521460492 (hardback)
9780521460491 (hardback)
0521466075 (pbk.)
9780521466073 (pbk.)

 
    
Available items only