| Description |
1 online resource. |
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text txt rdacontent |
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computer c rdamedia |
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online resource cr rdacarrier |
| Series |
Key debates ; 2 |
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Key debates ; 2.
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| Language |
English. |
| Contents |
Frontmatter -- Contents -- Editorial -- Acknowledgments -- Introduction: Rethinking Subjectivity in Film -- Part I From Mind to Film, from Film to Mind -- The Cinema as Art of the Mind: Hugo Münsterberg, First Theorist of Subjectivity in Film -- The Representation of Experience in Cinema -- Beyond Subjectivity: The Film Experience -- Part II Ways of Expressing Subjectivity -- The Man Who Wasn't There: The Production of Subjectivity in Delmer Daves' Dark Passage -- From Aesthetic Experience to the Loss of Identity, in Three Steps -- Robert Bresson and the Voices of an Inner World: "I" Can Never Be "You," or the Impossible Identification -- The Silence of the Lenses: Blow Up and the Subject of Photography -- Part III Subjectivity and the Epistemology of Film Studies -- Beyond Subjectivity. Bakhtin's Dialogism and the Moving Image -- Imaginary Subject -- A Philosophical Approach to Subjectivity in Film Form -- Part IV Conversation Subjectivity in Artistic Coupling -- Conversation with Maria Klonaris and Katerina Thomadaki -- Notes -- General Bibliography -- Notes on Contributors -- Index of Names -- Index of Film Titles -- Index of Subjects |
| Summary |
Subjectivity is a central concept in film theory, philosophy and cultural studies. It was also a key term in the reception of the Nouvelle Vague film movement in France and Italy from the start of 1945. This timely volume explores the ways in which the concept of subjectivity has made its way into film theory, history, practice and criticism, as well as the confrontations of the subject with this rapidly changing medium.Contributors to this timely study include Francesco Casetti, Gregory Currie, Marina Grzinic, Maria Klonaris and Katerina Thomadaki, Jacinto Lageira, José Moure, Pere Salabert, Céline Scemama, Karl Sierek, Vivian Sobchack, and Pierre Taminiaux. Their illuminating essays are a testimony to their profound involvement in the subjectivity debate, enriching our perception of film history and our understanding of the medium. |
| Bibliography |
Includes bibliographical references (pages 235-247) and indexes. |
| Subject |
Subjectivity in motion pictures -- Philosophy.
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Motion pictures.
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Subjectivity.
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Point of view (Literature)
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Subjectivité au cinéma -- Philosophie.
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Point de vue (Littérature)
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Cinéma.
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Film theory and criticism.
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Film, TV and radio.
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Films, cinema.
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The arts.
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PERFORMING ARTS / Film & Video / History & Criticism.
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Motion pictures
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Point of view (Literature)
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Subjectivity
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Film.
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Music, Dance, Drama & Film.
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| Indexed Term |
Nouvelle Vague |
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Subjectivity |
| Added Author |
Chateau, Dominique, Contributor.
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| Other Form: |
Print version: Subjectivity. Amsterdam : Amsterdam University Press, ©2011 (DLC) 2012364235 |
| ISBN |
9089643176 (electronic bk.) |
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9789089643179 (electronic bk.) |
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9789048514205 (electronic bk.) |
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9048514207 (electronic bk.) |
| Standard No. |
10.26530/OAPEN_605864 doi |
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AU@ 000074976102 |
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